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Cabaret the Musical Review---FEB 2002!(mentions mika's performance)


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awwww...!!! this is like soooo old! anywayz there goes the article:

 

Cabaret – The Musical

Millicent Fawcett Hall, 11th – 14th February 2002

 

 

Lyndsey Turner’s impressive production of Kander and Ebb’s musical, Cabaret, reached audiences at Millicent Fawcett Hall after a near five month rehearsal period and endless amounts of hype. Not only did tickets for three available performances sell out within an hour, but an additional performance was added to cater for the high demand. This too sold out extreme quickly. Expectations were therefore high for this production, which gives musical theatre a welcome return to Westminster.

 

 

 

John Kander and Fred Ebb’s musical, made famous by the 1972 film starring Liza Minnelli, follows the time spent by novelist Clifford Bradshaw in 1930s Berlin during the rise of Nazi regime. Through his frequentations of the Kit Kat Klub, a sleazy night spot, he meets singer/performer Sally Bowles with whom he develops a relationship, however during the piece, the tensions of the increasingly powerful Nazi forces become apparent. Beyond its memorable tunes and witty lyrics and Broadway-esque glitz, Cabaret is a serious piece of theatre which Lyndsey Turner’s production successfully manages to highlight, as well as providing us with spectacularly good entertainment.

 

 

 

Throughout the evening it becomes apparent that Turner is clearly at ease with the big musical numbers, from the show-stopping “Willkommen” (which starts the show) to the wittily danced and choreographed “Don’t Tell Mama” . The inventive, sassy choreography is well danced out by Kit Kat Girls, Boys and Hostesses, and their energy right through never flails. The playing space is limited, but the crowd and club scenes look very impressive too, and John Larkey and Daniel Greenwald’s lighting effectively conjured up the dark sleaziness of the Kit Kat world. The big songs, which have emerged as classics in their own right, were delivered by the large cast with punch and clarity, even though the quality of the ensemble singing sometimes dithered.

 

 

 

One of the main problems with Cabaret as a stage musical is Joe Masteroff’s clunky book, full of duff lines and malapropisms which must be just as hard to act as they are hard to hear. Masteroff’s book is also quite fragmented so that the audience and characters are jumped around from club to bedroom incoherently and with little effect other than to disjoint the production. This is not helped by dramatic scenes which sometimes occasionally lose pace through underpowered delivery and feel under polished. Otherwise however, the well cast principals perform well.

 

 

 

Tamsin Omond as night club gal Sally Bowles brings tremendous presence to her scenes both as an entertainer but also as a very human, fragile character lost to herself in a world of singing, dancing and sex. Her strong belter voice is a strong driving force for her club numbers, whilst her rendition of the title song in which Sally breaks down is deeply moving. As her frustrated love interest, Jack Farthing is pleasantly voiced and convincing in his character, even if his relationship with Sally Bowles is never quite believable. The evening’s events are overseen by Mica Penniman’s kooky, eccentric Emcee. His lurking presence throughout is often amusing, but grows increasingly sinister as the evening comes to its climax. Strongly sung and wittily acted, Penniman’s performance seemed to delight and intrigue audiences nightly. Also impressive were Sarah Pett and Alex Bradford as an elderly couple who’s sweet, growing relationship is inevitably torn apart. Their singing was especially good, and their affection believably sweet. Hal Brindley as Nazi supporter Ernst Ludwig also provided a suitably stern and menacing performance whilst also being very well sung.

 

 

 

“Come see the cabaret, old chum” sings Sally Bowles, and rumour has it that by the final performance, tickets were being forged so that some old chums could come see the Cabaret; not surprising for a musical which promises memorable songs, good dancing, entertainment and spectacle, and “minimalist” costumes. However this production, despite being an impressively executed song and dance, also tackled the issues which Masteroff only briefly skims, with a sinister, darker edge which was often unsettling and very powerful. This production helps, even if it does not fully convince us, understand why Cabaret has gone down as one of the greatest musicals of the last century.

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Lets face it, Mika could jump onstage dressed only in a potato sack and sing the contents of the phone directory, and still be the most entertaining performer there is today. He is a natural.

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  • 3 years later...

2002 - THE ELIZABETHAN MGAZINE - Westminster School [Mika in "CABARET"]

 

The evening’s events are overseen by Mica

Penniman’s kooky, eccentric Emcee. His

lurking presence throughout is often amusing,

but grows increasingly sinister as the

evening comes to its climax. Strongly sung

and wittily acted, Penniman’s performance

seemed to delight and intrigue audiences

nightly.

 

 

@mikadb/kumazzz/Eriko

School album

http://www.mediafire.com/?qq7eltyyamlyu15

http://intranet.westminster.org.uk/documents/elizabethan/magazine/2002/p57-82.pdf

 

2002 - THE ELIZABETHAN Magazine - Westminster School - Mika at pg.08 and pg.12

 

a268832ae7e5a6791b24d92ab5e590b6.jpg

c9ba6b21721985b017267f22bc3cdcfb.jpg 381f00c8a15a24da92849cd83a5f5384.jpg

 

http://www.iimmgg.com/gallery/g04eb7c80d0254e6f12462feb5a45ec3c/

 

Download this gallery as a zip-archive

 

 

Edited by nicoleta
  • Thanks 1
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2002 - THE ELIZABETHAN MGAZINE - Westminster School [Mika in "CABARET"]

 

The evening’s events are overseen by Mica

Penniman’s kooky, eccentric Emcee. His

lurking presence throughout is often amusing,

but grows increasingly sinister as the

evening comes to its climax. Strongly sung

and wittily acted, Penniman’s performance

seemed to delight and intrigue audiences

nightly.

 

 

@mikadb/kumazzz/Eriko

School album

http://www.mediafire.com/?qq7eltyyamlyu15

http://intranet.westminster.org.uk/documents/elizabethan/magazine/2002/p57-82.pdf

 

2002 - THE ELIZABETHAN Magazine - Westminster School - Mika at pg.08 and pg.12

 

a268832ae7e5a6791b24d92ab5e590b6.jpg

c9ba6b21721985b017267f22bc3cdcfb.jpg 381f00c8a15a24da92849cd83a5f5384.jpg

 

http://www.iimmgg.com/gallery/g04eb7c80d0254e6f12462feb5a45ec3c/

 

Download this gallery as a zip-archive

 

 

 

TNP :thumb_yello:

 

 

 

So. Mika is good at acting is he? That is not surprising. I'd love to see him act some more :teehee:

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2002 - THE ELIZABETHAN MGAZINE - Westminster School [Mika in "CABARET"]

 

The evening’s events are overseen by Mica

Penniman’s kooky, eccentric Emcee. His

lurking presence throughout is often amusing,

but grows increasingly sinister as the

evening comes to its climax. Strongly sung

and wittily acted, Penniman’s performance

seemed to delight and intrigue audiences

nightly.

 

 

@mikadb/kumazzz/Eriko

School album

http://www.mediafire.com/?qq7eltyyamlyu15

http://intranet.westminster.org.uk/documents/elizabethan/magazine/2002/p57-82.pdf

 

2002 - THE ELIZABETHAN Magazine - Westminster School - Mika at pg.08 and pg.12

 

a268832ae7e5a6791b24d92ab5e590b6.jpg

c9ba6b21721985b017267f22bc3cdcfb.jpg 381f00c8a15a24da92849cd83a5f5384.jpg

 

http://www.iimmgg.com/gallery/g04eb7c80d0254e6f12462feb5a45ec3c/

 

Download this gallery as a zip-archive

 

 

 

Thanks very much!!! :flowers2:

 

Mika was my same age (19) in those pics :wub2:

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