Jump to content

Mika Conquered The World -- Billboard.com


iadoremika

Recommended Posts

Mika Conquered The World, America Is Next

 

101212-mika_617_409.jpg

 

At first impression, the man no one knows as Michael Penniman seems uncharacteristically quiet. As he takes a well-earned break from rehearsing for a tour to promote one of the year's most eagerly anticipated global releases, he seems tired and anxious, a far cry from his usual upbeat ebullience. He knows it, and he apologizes politely for his demeanor before taking a drawn-out pause to refocus and return as the witty, charming, unashamedly upbeat force of nature the world knows and-mostly-loves as Mika. "It's always a big stress figuring out how to do things live," he says, becoming more animated with every word. "It's really kind of terrifying. I wish I could just mime. I'd be so much happier." Pause. "I'm joking, of course."'

 

"Witty," "charming" and "unashamedly upbeat" are also words that could be used to describe Mika's music - a winning mix of radio-friendly piano ballads, sexual ambiguity and melodic pop. His debut album, "Life in Cartoon Motion" (Island/Universal), sold 5.5 million copies worldwide, according to his handlers at London-based Machine Management.

 

His U.K. base -- Mika was born in Lebanon but has a dual U.S. and British citizenship -- contributed 1.6 million of those copies, and Mika regularly leaves his London apartment to find gifts from fans or even fans themselves, camping overnight outside his door.

 

"It's fine," he deadpans. "I soon get rid of them."

 

His first major-label single, "Grace Kelly," claimed the top spot in the United Kingdom, Denmark, Ireland, Italy, Norway and Wallonie, and went top 10 in 10 other markets. Meanwhile, the album hit No. 1 in France, Flanders, Greece, the Netherlands, Norway, Switzerland, Wallonie and the United Kingdom, and it went top 10 in eight other markets including Germany and Australia.

 

In France, he's bigger than Johnny Hallyday and fancy cheese put together-so big that his gig there in July 2008 was staged in front of 55,000 fans at the Parc des Princes Stadium in Paris and featured $1.3 million worth of acrobats, clowns and associated stage production.

 

"I wanted to do a show that was visually effective no matter how far away you were sitting and, unfortunately, that comes with a price tag," he says. "It's so rare to get to a stadium level on a first record, we were just like, 'Let's celebrate it. Let's have fun and do something incredible.' "

 

For Mika's next trick -- his second album, "The Boy Who Knew Too Much," which arrives internationally Sept. 21 on Casablanca/Island Records and a day later in the United States on Universal Republic -- he wants to become a star in America.

 

The IFPI's top 10 list of 2007's global best-selling albums ranks "Life in Cartoon Motion" at No. 9. Significantly, on a list that includes Avril Lavigne, Josh Groban, the Eagles and Amy Winehouse, Mika is not only the sole debut artist but also the only one to make the list without occupying one of the top two spots of the Billboard 200.

 

"Life" debuted and peaked at No. 29 stateside and has sold 350,000 copies, according to Nielsen SoundScan-a respectable but unspectacular figure, as Universal Republic president/CEO Monte Lipman concedes.

 

"Although it was not ultimately a breakthrough, it was a very good foundation," says Lipman. "We certainly did not enjoy the global phenomenon like some of the other territories around the world," he says. "But if you compare apples to apples and new and developing artists in America it was substantial and significant."

 

Mika agrees. "It's a funny one in the States," says the singer, who was nominated for a best dance recording Grammy Award in 2008. "I'm kind of a cult artist there and, although radio rejects me, I still sell singles. I'm in this very fortunate place where my shows sell, my songs sell, and I'm able to grow in a way that I want to."

 

Growth-both personal and artistic-is at the heart of "The Boy Who Knew Too Much," envisioned by its writer as "a kind of rock opera about my adolescence." Work on the album begun almost immediately after the promotional campaign for his debut album concluded with a July 27, 2008, gig in front of 40,000 fans at Martyrs' Square in Beirut, Lebanon.

 

Initially scheduled to take at least four weeks off, Mika lasted four days before abandoning the "incredible" Roman ruins of Syria, where he was vacationing with friends, and returning to England.

 

There, ensconced in his one-room studio basement in London, he immediately began writing his second album. He soon upgraded to the English capital's Olympic Studios, where he began to amass a catalog of "dark and emotional" songs loosely inspired by traditional nursery rhymes.

 

Some of these uncharacteristically downbeat songs would surface on the "Songs for Sorrow" EP-a limited-edition release sold exclusively through Mika's Web site and retailers Paul Smith and Lanvin-before he reunited with "Life" producer Greg Wells, who he describes as a "musical Swiss army knife," for his inexhaustible technical knowledge. The pair headed for Rocket Carousel Studios in Los Angeles to make an "unapologetic pop record."

 

"I wanted to come out full guns blazing," Mika says of the ambitious and eclectic 12-track set. It mixes grandiose orchestration, vaudeville, gentle piano ballads, cheesy '80s-influenced disco and the singer's unmistakable falsetto, as well as guest appearances from Imogen Heap ("By the Time") and Final Fantasy's Owen Pallet ("Rain").

 

This time the songs might make fans stop and think, even as they sing along. "There's a lot of quite painful lyrics and a lot of slightly twisted gothic fairytale moments on the record," he says. "I guess that's become a little bit of my trademark. I like to play with the fact that something may sound totally joyful, but at the same time the lyrics are a lot darker."

 

First out is "We Are Golden," an infectious rock-soul number featuring a knockout contribution from the Andraé Crouch gospel choir (which sang on Madonna's "Like a Prayer"). In the United Kingdom, the song is already generating huge buzz ahead of its Sept. 6 digital and Sept. 7 physical retail bow, achieving the rare distinction of being played twice back to back on national top 40 network BBC Radio 1's Jo Whiley show. Radio 1 will also host a "Mika day" Sept. 28 when the artist will take over daytime programming.

 

In America, "We Are Golden" will be available exclusively from Apple's iTunes store for one week starting Aug. 18. Likening the situation to that of a lawyer building a case, Lipman expects the exclusive to grow Mika's stateside profile while providing "tangible evidence" of the artist's popularity. This data will then be passed on to radio stations as proof of the artist's U.S. fan base-and his viability for airplay.

 

Having had little support for the first album campaign, Lipman says breaking Mika on radio in America is his "No. 1 priority" this time around. He expects to work "We Are Golden" to top 40 formats, taking the track to radio one week after it goes live on iTunes. Lipman also cites triple A and hot AC as formats ideally suited to Mika's brand of "sophisticated pop."

 

It's that sophistication in a "fairly nonsophisticated" pop market that allowed Mika to fall through the cracks between formats with his last album, according to Lipman. The main challenge was getting stations to "step out and lead" but this time he's confident the strength of the songs, combined with Mika's overseas popularity, will force U.S. networks to sit up and pay attention.

 

In the meantime, the U.S. team is building buzz online and through synch deals; Fox's Aug. 10 broadcast of the Teen Choice Awards used "We Are Golden" as its theme song throughout the show.

 

Universal is also seeking to maximize the star's online presence through the Aug. 7 international rollout of the Mika's Magic Numbers loyalty plan, which rewards fans for purchases and interactions with special offers. The program launched in the United Kingdom-where Mika has the most-visited Web site of all Island artists, according to the label-in late July. It has drawn a "fantastic" response, according to Dwyer, although the label declined to provide usage numbers.

 

Mika will undertake a North American tour for three weeks in October, and he's currently setting up TV appearances.

 

Describing his commitment to the project as "110%," Lipman says his goal is to replicate Mika's European success in the States and "sell millions." "I want to get in on the party," Lipman says. "I want to do what France is doing. I want to do what the U.K. is doing. We want to be part of that success. The album is there and it's our job and our responsibility to make a difference and help put Mika on the platform that he deserves."

 

Mika shares that fierce ambition, rattling off his American sales stats with a mixture of pride and defiance. While he declines to name names, the fact that other international artists have a higher U.S. profile, despite selling fewer albums, clearly rankles him. He describes selling out U.S. shows as "a big '**** you' to everybody who won't play my records."

 

"I'm not taking anything for granted," he says as he ponders the prospect of U.S. success. "I have no preconceptions of what people think of me. I have no assumptions as to whether a radio station will play my records or not. I guess with this new record, the only thing I can say is that it's totally me and, if it was me the first time round that divided people's opinion, then I expect the same thing all over again."

 

Another pause.

 

"But I think that's something to be proud of, not deny."

 

Additional reporting by Mark Sutherland in London.

 

 

http://www.billboard.com/news/mika-conquered-the-world-america-is-next-1004003565.story#/news/mika-conquered-the-world-america-is-next-1004003565.story?page=1

Link to comment
Share on other sites

Thanks for posting!:thumb_yello:

I read this article with a mixture of awe and suspicion. The marketing machine is a mistery to me, a bit monstruous if you ask me.With his first record I heard it because I was lucky enough to come across it, not because someone shoved it in my face, it was an off-the radar thing that made me feel that I was on to a well-kept secret. It's still the same to me, I want to hear his new record because I love his music, but I guess the pop world doesn't work that way.

Link to comment
Share on other sites

Aww, he's got his own day on R1. I'm so happy!

Will be listening ALL day!

 

Very interesting article, good to see he's going all out to crack the US on his OWN terms. I hope he does it, good luck to him.

 

T4P ;-)

Link to comment
Share on other sites

Interesting article, just as we expected he is going all out for the US this time, as he should.

 

Can someone explain this?:naughty:

 

His first major-label single, "Grace Kelly," claimed the top spot in the United Kingdom, Denmark, Ireland, Italy, Norway and Wallonie, and went top 10 in 10 other markets. Meanwhile, the album hit No. 1 in France, Flanders, Greece, the Netherlands, Norway, Switzerland, Wallonie and the United Kingdom, and it went top 10 in eight other markets including Germany and Australia.

 

Not a country I have heard of before:teehee:

Link to comment
Share on other sites

Wallonia (French: Wallonie, German: Wallonie(n), Dutch: Nl-Wallonië.ogg Wallonië (help·info), Walloon: Waloneye) is the French-speaking southern region of Belgium. It makes up about 31% of the population and 55% of the territory of Belgium.

 

I love this sort of article actually -- it's very REAL. Not all the manufactured

spiel that Mika rattles off to all the DJs during all the promotional interviews...

 

I think he has a real chance to break in the US this time around, but I really

am not sure that We Are Golden is the song, especially not with the video

he's made. (I happen to love both the song and the video, but I assure

you I am NOT the typical American teenager who is being targeted! :blush-anim-cl: )

 

However, if Blame it on the Girls IS the second single, I think that has a very

real chance of breaking big.

 

I suppose we'll see.

 

In any case, I'll be doing whatever I can to support the efforts -- as much

as I would love to keep Mika my dirty little secret, I really do want to see

him succeed big here in the US. :thumb_yello:

Link to comment
Share on other sites

Mika Conquered The World, America Is Next

 

101212-mika_617_409.jpg

 

At first impression, the man no one knows as Michael Penniman seems uncharacteristically quiet. As he takes a well-earned break from rehearsing for a tour to promote one of the year's most eagerly anticipated global releases, he seems tired and anxious, a far cry from his usual upbeat ebullience. He knows it, and he apologizes politely for his demeanor before taking a drawn-out pause to refocus and return as the witty, charming, unashamedly upbeat force of nature the world knows and-mostly-loves as Mika. "It's always a big stress figuring out how to do things live," he says, becoming more animated with every word. "It's really kind of terrifying. I wish I could just mime. I'd be so much happier." Pause. "I'm joking, of course."'

 

"Witty," "charming" and "unashamedly upbeat" are also words that could be used to describe Mika's music - a winning mix of radio-friendly piano ballads, sexual ambiguity and melodic pop. His debut album, "Life in Cartoon Motion" (Island/Universal), sold 5.5 million copies worldwide, according to his handlers at London-based Machine Management.

 

His U.K. base -- Mika was born in Lebanon but has a dual U.S. and British citizenship -- contributed 1.6 million of those copies, and Mika regularly leaves his London apartment to find gifts from fans or even fans themselves, camping overnight outside his door.

 

"It's fine," he deadpans. "I soon get rid of them."

 

His first major-label single, "Grace Kelly," claimed the top spot in the United Kingdom, Denmark, Ireland, Italy, Norway and Wallonie, and went top 10 in 10 other markets. Meanwhile, the album hit No. 1 in France, Flanders, Greece, the Netherlands, Norway, Switzerland, Wallonie and the United Kingdom, and it went top 10 in eight other markets including Germany and Australia.

 

In France, he's bigger than Johnny Hallyday and fancy cheese put together-so big that his gig there in July 2008 was staged in front of 55,000 fans at the Parc des Princes Stadium in Paris and featured $1.3 million worth of acrobats, clowns and associated stage production.

 

"I wanted to do a show that was visually effective no matter how far away you were sitting and, unfortunately, that comes with a price tag," he says. "It's so rare to get to a stadium level on a first record, we were just like, 'Let's celebrate it. Let's have fun and do something incredible.' "

 

For Mika's next trick -- his second album, "The Boy Who Knew Too Much," which arrives internationally Sept. 21 on Casablanca/Island Records and a day later in the United States on Universal Republic -- he wants to become a star in America.

 

The IFPI's top 10 list of 2007's global best-selling albums ranks "Life in Cartoon Motion" at No. 9. Significantly, on a list that includes Avril Lavigne, Josh Groban, the Eagles and Amy Winehouse, Mika is not only the sole debut artist but also the only one to make the list without occupying one of the top two spots of the Billboard 200.

 

"Life" debuted and peaked at No. 29 stateside and has sold 350,000 copies, according to Nielsen SoundScan-a respectable but unspectacular figure, as Universal Republic president/CEO Monte Lipman concedes.

 

"Although it was not ultimately a breakthrough, it was a very good foundation," says Lipman. "We certainly did not enjoy the global phenomenon like some of the other territories around the world," he says. "But if you compare apples to apples and new and developing artists in America it was substantial and significant."

 

Mika agrees. "It's a funny one in the States," says the singer, who was nominated for a best dance recording Grammy Award in 2008. "I'm kind of a cult artist there and, although radio rejects me, I still sell singles. I'm in this very fortunate place where my shows sell, my songs sell, and I'm able to grow in a way that I want to."

 

Growth-both personal and artistic-is at the heart of "The Boy Who Knew Too Much," envisioned by its writer as "a kind of rock opera about my adolescence." Work on the album begun almost immediately after the promotional campaign for his debut album concluded with a July 27, 2008, gig in front of 40,000 fans at Martyrs' Square in Beirut, Lebanon.

 

Initially scheduled to take at least four weeks off, Mika lasted four days before abandoning the "incredible" Roman ruins of Syria, where he was vacationing with friends, and returning to England.

 

There, ensconced in his one-room studio basement in London, he immediately began writing his second album. He soon upgraded to the English capital's Olympic Studios, where he began to amass a catalog of "dark and emotional" songs loosely inspired by traditional nursery rhymes.

 

Some of these uncharacteristically downbeat songs would surface on the "Songs for Sorrow" EP-a limited-edition release sold exclusively through Mika's Web site and retailers Paul Smith and Lanvin-before he reunited with "Life" producer Greg Wells, who he describes as a "musical Swiss army knife," for his inexhaustible technical knowledge. The pair headed for Rocket Carousel Studios in Los Angeles to make an "unapologetic pop record."

 

"I wanted to come out full guns blazing," Mika says of the ambitious and eclectic 12-track set. It mixes grandiose orchestration, vaudeville, gentle piano ballads, cheesy '80s-influenced disco and the singer's unmistakable falsetto, as well as guest appearances from Imogen Heap ("By the Time") and Final Fantasy's Owen Pallet ("Rain").

 

This time the songs might make fans stop and think, even as they sing along. "There's a lot of quite painful lyrics and a lot of slightly twisted gothic fairytale moments on the record," he says. "I guess that's become a little bit of my trademark. I like to play with the fact that something may sound totally joyful, but at the same time the lyrics are a lot darker."

 

First out is "We Are Golden," an infectious rock-soul number featuring a knockout contribution from the Andraé Crouch gospel choir (which sang on Madonna's "Like a Prayer"). In the United Kingdom, the song is already generating huge buzz ahead of its Sept. 6 digital and Sept. 7 physical retail bow, achieving the rare distinction of being played twice back to back on national top 40 network BBC Radio 1's Jo Whiley show. Radio 1 will also host a "Mika day" Sept. 28 when the artist will take over daytime programming.

 

In America, "We Are Golden" will be available exclusively from Apple's iTunes store for one week starting Aug. 18. Likening the situation to that of a lawyer building a case, Lipman expects the exclusive to grow Mika's stateside profile while providing "tangible evidence" of the artist's popularity. This data will then be passed on to radio stations as proof of the artist's U.S. fan base-and his viability for airplay.

 

Having had little support for the first album campaign, Lipman says breaking Mika on radio in America is his "No. 1 priority" this time around. He expects to work "We Are Golden" to top 40 formats, taking the track to radio one week after it goes live on iTunes. Lipman also cites triple A and hot AC as formats ideally suited to Mika's brand of "sophisticated pop."

 

It's that sophistication in a "fairly nonsophisticated" pop market that allowed Mika to fall through the cracks between formats with his last album, according to Lipman. The main challenge was getting stations to "step out and lead" but this time he's confident the strength of the songs, combined with Mika's overseas popularity, will force U.S. networks to sit up and pay attention.

 

In the meantime, the U.S. team is building buzz online and through synch deals; Fox's Aug. 10 broadcast of the Teen Choice Awards used "We Are Golden" as its theme song throughout the show.

 

Universal is also seeking to maximize the star's online presence through the Aug. 7 international rollout of the Mika's Magic Numbers loyalty plan, which rewards fans for purchases and interactions with special offers. The program launched in the United Kingdom-where Mika has the most-visited Web site of all Island artists, according to the label-in late July. It has drawn a "fantastic" response, according to Dwyer, although the label declined to provide usage numbers.

 

Mika will undertake a North American tour for three weeks in October, and he's currently setting up TV appearances.

 

Describing his commitment to the project as "110%," Lipman says his goal is to replicate Mika's European success in the States and "sell millions." "I want to get in on the party," Lipman says. "I want to do what France is doing. I want to do what the U.K. is doing. We want to be part of that success. The album is there and it's our job and our responsibility to make a difference and help put Mika on the platform that he deserves."

 

Mika shares that fierce ambition, rattling off his American sales stats with a mixture of pride and defiance. While he declines to name names, the fact that other international artists have a higher U.S. profile, despite selling fewer albums, clearly rankles him. He describes selling out U.S. shows as "a big '**** you' to everybody who won't play my records."

 

"I'm not taking anything for granted," he says as he ponders the prospect of U.S. success. "I have no preconceptions of what people think of me. I have no assumptions as to whether a radio station will play my records or not. I guess with this new record, the only thing I can say is that it's totally me and, if it was me the first time round that divided people's opinion, then I expect the same thing all over again."

 

Another pause.

 

"But I think that's something to be proud of, not deny."

 

Additional reporting by Mark Sutherland in London.

 

 

http://www.billboard.com/news/mika-conquered-the-world-america-is-next-1004003565.story#/news/mika-conquered-the-world-america-is-next-1004003565.story?page=1

OMG!!!!!!!!!!!!! I hope tour dates are released soon! We SO wish for St. Louis or Chicago! eeeeeee!!!!

Link to comment
Share on other sites

what day is it? I may book holiday that day :biggrin2:

 

I was about to book the day off when I kept reading to see that he'll be doing a 3-week North American tour right afterwards. :shocked::biggrin2:

 

Thanks for posting!:thumb_yello:

I read this article with a mixture of awe and suspicion. The marketing machine is a mistery to me, a bit monstruous if you ask me.With his first record I heard it because I was lucky enough to come across it, not because someone shoved it in my face, it was an off-the radar thing that made me feel that I was on to a well-kept secret. It's still the same to me, I want to hear his new record because I love his music, but I guess the pop world doesn't work that way.

 

Well the American market is monstrous so it requires a monstrous machine. Look at the elections process in the US. It's insane. It takes a lot of hype to convince 300 million people to do something. :naughty:

 

I don't think the intention is to so much shove Mika into the faces of the public, but into the faces of the people who control radio. It seems they pretty much conspired to keep him off radio last time and their excuse has been that the public doesn't want to hear it. It sounds like they feel they can prove otherwise with evidence of his single and concert sales. Their plan sounds calculated and a bit manipulative but you have to fight fire with fire.

 

Can someone explain this?:naughty:

 

His first major-label single, "Grace Kelly," claimed the top spot in the United Kingdom, Denmark, Ireland, Italy, Norway and Wallonie, and went top 10 in 10 other markets. Meanwhile, the album hit No. 1 in France, Flanders, Greece, the Netherlands, Norway, Switzerland, Wallonie and the United Kingdom, and it went top 10 in eight other markets including Germany and Australia.

 

Not a country I have heard of before:teehee:

 

I think it's part of Belgium. Not sure why they didn't just say that though. :dunno:

 

Maybe the market is treated separately from Flanders and this is commonly understood in the industry. Billboard is an industry publication and not generally meant for the public.

Link to comment
Share on other sites

In any case, I'll be doing whatever I can to support the efforts -- as much

as I would love to keep Mika my dirty little secret, I really do want to see

him succeed big here in the US. :thumb_yello:

 

I know how you feel! But I really do hope that he finds success. :wink2:

 

...But then again, if he does, we get tour dates. :das:

Link to comment
Share on other sites

OMG!!!!!!!!!!!!! I hope tour dates are released soon! We SO wish for St. Louis or Chicago! eeeeeee!!!!

 

:tears::boing:

I can't wait to hear more news about it!

 

I just called musicfreak and woke her up:roftl: I was like its Mika news don't be mad:naughty:

Link to comment
Share on other sites

Thanks for posting!:thumb_yello:

I read this article with a mixture of awe and suspicion. The marketing machine is a mistery to me, a bit monstruous if you ask me.With his first record I heard it because I was lucky enough to come across it, not because someone shoved it in my face, it was an off-the radar thing that made me feel that I was on to a well-kept secret. It's still the same to me, I want to hear his new record because I love his music, but I guess the pop world doesn't work that way.

 

I totally disagree. The only reason I ever heard of Mika is because some record label marketing type gave up on Alberta radio and arranged to have the Grace Kelly video playing in movie theatres before the trailers came on, when I went to see Spiderman 3.

 

I'm sure there are loads of other people in both the US and Canada who would love Mika's music...if they knew he existed.

 

We're in a vacuum here in Western Canada. None of my friends had heard of all these artists that are so successful overseas - Mika, Calvin Harris, Tinchy Stryder, La Roux, Scouting for Girls, Lily Allen etc - until I told them about this music. And I'd bet that a lot of the US is the same way.

 

I think he has a real chance to break in the US this time around, but I really

am not sure that We Are Golden is the song, especially not with the video

he's made. (I happen to love both the song and the video, but I assure

you I am NOT the typical American teenager who is being targeted! :blush-anim-cl: )

 

However, if Blame it on the Girls IS the second single, I think that has a very

real chance of breaking big.

 

I think so, too, especially if he makes an MTV-friendly video. I still think they should have released Erase in the States. But, if we're looking onward, I would be incredibly curious to see the sales figures that come out of this early American iTunes release, and how they line up with Universal's targets.

 

I'll be snooping about a week after this release to see if WAG has cracked the top 100 on the US version of iTunes, and if so, how high it's ranking. :teehee:

 

Hopefully it does well enough that radio pays attention - and that they're ready to embrace BIOTG, 'cause that's where my American airplay bet is.

 

I think it's part of Belgium. Not sure why they didn't just say that though. :dunno:

 

Maybe the market is treated separately from Flanders and this is commonly understood in the industry. Billboard is an industry publication and not generally meant for the public.

 

I suspect it is. My limited understanding suggests that Flanders is more culturally similar to the Netherlands, and Wallonia more culturally similar to France.

 

Feel free to (gently!) correct me if I'm way off base with that. :blush-anim-cl:

Link to comment
Share on other sites

OMG!!!!!!!!!!!!! I hope tour dates are released soon! We SO wish for St. Louis or Chicago! eeeeeee!!!!

 

I'm with you, ladies! I just pray a show that I can go to will be scheduled on a weekend, cos it's kinda hard to cut class when you're student teaching. Blah. :sneaky2:

Link to comment
Share on other sites

I'm with you, ladies! I just pray a show that I can go to will be scheduled on a weekend, cos it's kinda hard to cut class when you're student teaching. Blah. :sneaky2:

 

I'm going to be a freshman in college and I'm going to miss class for Mika:naughty:

Link to comment
Share on other sites

I'm going to be a freshman in college and I'm going to miss class for Mika:naughty:

 

Shoot, I'd do the same. In fact, I skipped plenty when I was a junior. But being a senior...don't think I could do that. Gotsta keep my priorities in order, unfortunately. :no:

Link to comment
Share on other sites

North American tour in October? I'm not so sure about that one...:blink:

 

 

EDIT: Can any mods/admins confirm if there will be a mini tour? I want to know if it's worth getting excited about :naughty:

Edited by Fmbm
Link to comment
Share on other sites

P.S.

 

His U.K. base -- Mika was born in Lebanon but has a dual U.S. and British citizenship -- contributed 1.6 million of those copies, and Mika regularly leaves his London apartment to find gifts from fans or even fans themselves, camping overnight outside his door.

 

"It's fine," he deadpans. "I soon get rid of them."

 

Is he talking about the fans or the gifts?

That's sad :naughty:

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...

Important Information

Privacy Policy