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Posts posted by mellody

  1. I need help please - I e-mailed them the tickets and a scan of my bank card (Maestro), where it shows the name and IBAN. They answered:


    Nous avons besoin d'un document officiel avec l'IBAN le nom de votre banque, et votre nom 
    Merci pour votre compréhension, 

    So if I understand it right, they ask me to send an official document with the name of the bank, my name and the IBAN. Isn't the bank card an official document? What do they want? What have you sent them? :dunno: Does it have to be the same bank that I used for payment? I don't remember if it was the same, I thought it was, just that I payed via credit card and not IBAN - but not sure...

  2. 26 minutes ago, krysady said:

    And this happens both on my phone and my laptop... but I thought that maybe it was made on purpose because there where many duplicate emojis, from what I remember :dunno_grin:


    That's right, we just removed all the duplicates, and the Twitter emojis because it seems they were the reason why the emoji popup slowed down or crashed the site for some people. Some of our old emojis also got lost accidentally in that process, but we tried to restore them all. If you're still missing any in particular, please let us know.

    • Like 1
  3. 3 minutes ago, Kumazzz said:

    A part of NAIP mentions Mika



    From what I understand, the question is whether Mika is tough or soft (duro / tenerone), and Naip says tough but sensitive, and that apart from that he describes him as "sciamanico" (shaman), because he understands things that aren't obvious - I think the example he tells is about Mika saying after a few seconds of a performance "you're not really there", something like that.

    Maybe someone can understand more details of what he says? He also talks some more about the duro / tenerone thing, but I don't understand that.

    • Like 3
  4. As you might have heard on the MFC live and/or read in the current MFC IG stories, Instagram user erikjcjansen suggested to write new lyrics for Dear Jealousy, and we can do this as a team! :biggrin2: Here's what Erik suggested so far:


    Dear Quarantine,

    Why this house feels prisoning,

    These walls don't do good for me,

    it's time for me to leave.


    Dear Quarantine,

    midnight snacks is all I see,

    why I want you near?!


    Any suggestions? :wink2:

    • Like 7
    • Haha 3
  5. 10 hours ago, holdingyourdrink said:

    In a world where everything needs to be “unique”, “fast” and “innovating”, I think it’s kind of a relief to see Mika doesn’t see himself as special. I agree with him, because I also think that the people who say about themselves how “special” and “unique” they are, are a bit too much in their own bubble 😉 (wording it a bit more diplomatic here than he did 😆). It gives me the sense that through it all, he still has both feet on the ground. Or at least that is what this interview portrays to me.


    I'm still wondering how to bring that together with the lyrics for Ordinary Man - "not as special as I think that I am", and also with what he says about mediocrity, which imo is the opposite of being special/unique. Maybe I'm getting a bit mixed up with the definitions of "special" and "unique" - he does talk about it in this interview, maybe I have to reread it a few times, but it doesn't completely arrive with me what the author promises in the introduction. Tho I do understand what Mika says about the definition of uniqueness told by his mother - it's something I have felt at the Bolzano gig in February, I wrote it in my report about that gig, it's exactly that (at least from what I understand that he means in this interview). And well, that's something that can hardly be described and that you can't be made to feel just by being told. I still don't know how it happened in Bolzano.


    Of course I agree that people who think they're better than others are as*holes. And well, maybe that's what he means by saying "special compared to others". There's another aspect tho that I remember from the time when I was bullied at school. When you're made to feel worthless every day, then you will either believe that they are right and you are worth less than them. Or you can try to protect yourself by believing that they're all wrong and that you must be really special for all of them to hate you so much for no reason. It was a mix of both for me, and after changing school, in my later schoolyears I think I was often seen as arrogant, because I had built a wall around me to protect myself. For over a decade after that, my biggest dream was to become rich and famous, to show them all how special I really am and what they've missed. That's another story, but I sometimes wonder how much of this was an issue for Mika as well. I somehow think it's not anymore, but when I read, like in the other interview, that he has this big fear of being mediocre, I also wonder whether this is linked to the bullying, and generally his family's story.


    And that brings me to:

    11 hours ago, holdingyourdrink said:

    And I think it’s interesting that you feel we’re in a similar phase, haha. To be honest, I wasn’t a Mika fan before, (and what I am about to say will not be appreciated, I know 🙈) because I felt he was screaming and pretending to “walk the walk”, as to try to understand what was going on in his life. At the time when Grace Kelly came out, I was screaming as well in my own life. So in hindsight I guess it was just kind of a mirror I was looking at, and I didn’t like what I saw. Just because it reminded me of my own walk of life. 
    His most recent music and also the live performances of his old music gives portrays a ripeness and a sense of arriving. I very much identify with that and that is also the time I became a fan. 


    I kind of agree with you from today's point of view (tho I never felt he was "screaming"), but my reaction to it back then was different from yours - maybe my own walk of life was just at a different point, or I was indeed looking for a mirror. When I started following him in 2007, it felt like he was a step further than me, like he had overcome bullying - in fact he lived the dream that I just mentioned here, he was the bullied kid that became rich and famous, his own way. He dared to speak out - it was also the time when the internet started to change the music industry, but the industry clinged to their old ways, and a song like Grace Kelly hit exactly the right nerve with me at that time. A little bit rebellious, but in a nice way. Over the years, I think it always was a balance of what I felt I could learn from Mika and what I felt I already understood better than him. And it still is now. He has come a long way since then, and so have I. But still after all these years he continues to surprise and amaze me. :wub2:

    • Like 2
  6. Last week I dreamt that Mika posted several IG stories that lasted nearly an hour each (so I guess it was more like IGTV videos than stories), and in my dream I started watching the first story - Mika was in his house at a piano that stood in the middle of the room, with a spotlight on him. He sang something (can't remember what), talked a bit, and while he did so, there were also other videos and photos shown, one I remember in particular was a photo of him as a child blended over his face in the video, picturing something he said in that moment. Then he said he'd show us around the house a bit. It all seemed like a really intimate documentary about Mika's life and career, told by himself - I absolutely loved it and was very curious to see more of it. But just when he was about to open the door to show another room of his house, I woke up. :aah: And then I immediately thought of the installation of art, music and light that he wants to make, and wondered whether he could actually do it like that, as a sort of online documentary about himself, a bit like the I❤Beirut gig.


    And today he posts about the piano in his living room. :wub2: Made me immediately think of my dream. :fangurl:

    • Like 5
  7. 3 hours ago, holdingyourdrink said:

    For what it’s worth, the sentence bothered me as well. But I do believe - like you said - the author meant it as in a not strongly defined sexual personality: the masculine or feminine. We know now that there is an entire spectrum between the two, but in many cultures that still isn’t accepted nor the norm. 

    Drifting off: I actually believe it’s also a cultural/societal thing to believe in Prince Charming or not. We grew up with fairy tales where the Prince was the one to save the day and the road to ultimate happiness. Look at Snow White, Cinderella, Beauty and the Beast etc etc. The fairy tales that our children are exposed to now: Frozen and Vaiana/Moana is about finding your own strength and happiness, independent of another person. (But the other people are an enrichment nonetheless.) I do believe it shapes our way of thinking when we see that at a young age and I’m happy to see society has caught on. 
    So I think it’s both, maturity and cultural/societal beliefs. But as I’m typing this, I just realized that either way, idolizing something or someone will always remain 😊 in whatever context that may be. I just hope in a way our children will be able to differentiate that, but there is where maturity comes into play 😉

    Idolizing and falling in love are two different things as well. There was a spark within us when we were first introduced to Mika, otherwise he couldn’t have hooked us 😉 but I also believe that that what we see, is just a very small part of who he is and also the part he would like to showcase. This is only natural, as this is his personality as an artist and his personality as a private person he keeps away from the public - rightfully so. Of course you as a long time fan have seen and read more. I’m still in the “infatuation” phase 🤣 so my self produced image of him is on a different pedestal than yours, I can only imagine. And that is solely based on the information he chooses to make available for us as fans. 

    A self produced image also comes with imaginary expectations of how the person is going to be. I’m therefore quite anxious (post Corona, of course) to ever meet Mika, because I am afraid I might be disappointed. A total irrational thought. I guess the same kind of trail of thought you had when he publically came out. Irrational based on your own fears and projections. 

    Anyway I’m drifting of 🤣 I agree, it’s totally irrelevant if the artist is gay, straight, married, single - it’s our idol, they’re not supposed to be an option, but a dream 😊



    About Prince Charming, surely it's a cultural/societal thing - in some other countries you have to marry who your parents choose for you. But of course it's not just Disney movies that shape our way of thinking. As for me, as a kid I preferred The Jungle Book over Snow White. But I watched Lady Di's wedding on TV, and from then it was my goal to have a wedding like that. :teehee: I think the influence of the Disney movies for me only came when I was about 13, 14 - with The Little Mermaid and Beauty and the Beast, which were at the cinemas at that time. I needed a dreamworld at that time, and I found it there. I don't know though how much it really influenced my view on men. I mean, you also don't run around killing people (or just thinking it's ok to do so), just because you watched action movies as a kid / teenager, right? But that's really a bit drifting off here... :teehee:


    To get back to Mika: He shows a lot of himself these days (in particular with the last album/tour), more than ever before. It's true, as a long time fan I have a certain background knowledge that enables me to put the things he reveals about himself now in a context, and thus see a bigger image. He has always showed a new part of himself with every new album, but this time it feels like I got the essential pieces to the puzzle that were missing all those years. It might have been the Mika / Michael concept, which really explains a lot. Michael is his personality as a private person, at least part of it - and by revealing this part of himself, it feels like I've discovered him anew - so I guess I'm not so much in a different phase than you. :naughty: 


    And well, I don't know what you expect from meeting him - but as I think that it's not about getting a picture or autograph for you in the first place, I'm sure you won't be disappointed. Mika is "what you see is what you get", if not even better in real life. :wub2: 

    • Like 5
  8. On 11/5/2020 at 2:16 PM, Anna Ko Kolkowska said:









    Here's the text & Google translation:


    Con un concerto in cui ha coinvolto anche Kylie Minogue, Salma Hayek e la nostra Laura Pausini Mika ha aiutato la popolazione della sua Beirut dopo la terribile esplosione di agosto. E qui il cantante racconta come immedesimarsi nel dolore degli altri sia il primo passo per superare i momenti difficili. Come quello che stiamo vivendo ora con la seconda ondata del virus


    È bastata una telefonata di pochi minuti per capirsi. Quando in settembre il cantante Mika ha chiamato la nostra Laura nazionale, mai avrebbe creduto in una risposta così celere. La richiesta era sostenerlo nel suo progetto benefico dopo l'esplosione disastrosa avvenuta a Beirut il 4 agosto, con un concerto in streaming e una raccolta di fondi. «Mi ha detto sì senza trincerarsi dietro un agente discografico o impegni improrogabili», racconta lui. «Questo dono ci ha permesso di dare aiuto a migliaia di persone».

    Incontro Mika a colazione, davanti a un caffè, nell'Hotel Palazzo Parigi, a Milano. La star si trova in città per le dirette di X Factor, in onda ogni giovedì alle 21.15 su Sky Uno, di cui è giudice insieme con i cantanti Emma, Hell Raton e Manuel Agnelli.

    Sono qui con lui per approfondire il concetto di unicità. Che riguarda tutti, non solo gli artisti. Come si scopre di avere un talento? E soprattutto, come si protegge e coltiva una passione? «Non credo nel concetto di essere speciale rispetto ad altri», puntualizza. «Sono differente, quello sì. Nel mondo reale, uno che crede di essere speciale, per me è un po' "stronzo". Questa distinzione è importante», sostiene.


    Qual è stato il clic della sua vita, quello che l'ha spinta a inseguire il suo sogno?

    «Non mi sono mai sentito unico, erano i miei occhi a dare un valore diverso alle stesse cose che vedevano gli altri. Da piccolo ero ossessionato dal teatro. Solo nel centro di Londra, dove vivevo, ce ne sono 250 e li conosco quasi tutti. Già a 8 o 9 anni lavoravo nelle produzioni teatrali, alcune erano molto grandi e io, barando sull'orario di convocazione, chiedevo a mia madre di accompagnarmi prima per osservare i tecnici all'opera. Era come un film dentro un film».


    Che bambino era?

    «Un sognatore. Ero il terzo di cinque fratelli, tutti vittime degli spettacoli che allestivo in casa. Il momento della scelta dei ruoli era il più bello. Ho imparato presto il valore dell'equilibrio tra gli attori. Capitava che un giorno mia sorella interpretasse il poliziotto e il giorno dopo l'albero. Tutti volevano evitare di fare la roccia o la casa, e rimanere immobili per ore. È così che ho capito che dietro agli spettacoli c'è un lungo lavoro di diplomazia».


    Chi l'ha avvicinata all'arte?

    «Il mio nonno paterno, Richard, era un diplomatico che viveva negli Stati Uniti, a Savannah, in Georgia. Era amante del jazz e amico della cantante Nina Simone. E poi era anche un critico culinario. Aveva amici in ogni parte del mondo, lo ammiravo e mi sono ispirato a lui».


    Qual è il talento che l'ha resa unico e portato dov'è oggi? 

    «La forza del sognatore, che mi ha consentito di rimanere coerente al mio mondo indipendentemente dalla fama e dal successo. Questa libertà di pensiero e di valutazione mi è stata offerta da mia madre in un momento di grande difficoltà economica della famiglia».



    «Lei mi ha insegnato a vivere ogni impegno e difficoltà come un gioco. Avevo 7 anni quando mio padre è stato preso in ostaggio nella prima Guerra del Golfo. Nel giro di poco tempo abbiamo perso tutto. Mia madre ci ha portati a Londra. Siamo passati da una grande casa con la governante a un bilocale in periferia». 

    Che ricordi ha di quella fase?

    «Non riuscivo a leggere e a scrivere e ho smesso di parlare per nove mesi. Avevo problemi di apprendimento e sono diventato dislessico. Al punto che mia madre mi ha tolto da scuola: "Ora devi trovarti un lavoro'', diceva. La musica era il mio rifugio, il mio gioco preferito. E ogni giorno andavo al parco per ore di esercizi musicali. A 8 anni ero sul palco. Era un lavoro, ma mi divertivo».


    Una scelta difficile, per sua madre.

    «Una scelta fantastica, invece. Mi ha insegnato il rispetto per me stesso e per le mie idee. La strada che percorreva-no gli altri non era la mia».


    Come ha superato la dislessia?

    «La musica è stata la mia maestra. E quando ho iniziato a essere un professionista sono stato accettato in una delle scuole più importanti d'Europa, la Westminster SchooL Lì ho incontrato la signora Coogan, specializzata in dislessia. Con un'ora al giorno, per tre anni, mi ha portato a risultati brillanti».


    E stato fortunato.

    «Sì, la scuola non aveva il budget per lei, ma è rimasta lo stesso prendendo metà dello stipendio. Senza di lei non avrei studiato».


    Quando ha compreso il concetto di unicità?

    «Avevo 11 anni quando mia madre ci ha portati in Cina, a Pechino, per vedere l'apertura del primo McDonald's. Viaggiavamo senza mio padre, lei era da sola con cinque figli e il più piccolo aveva un anno. "Questa gente, che vi sembra tutta uguale e vestita di grigio, ha sogni come voi, ognuno di loro ha una sua storia e una sua personalità», diceva. Ecco il concetto di unicità spiegato da mia madre».


    Lei riconosce l'unicità negli altri?

    «Sì, bisogna saper stare in ascolto. Con Laura Pausini è andata così, è stato subito un dialogo genuino. Lei è empatica, sveglia, tosta, ambiziosa. Non è ciò che definirei una persona semplice. E una grande professionista, attenta ai dettagli. Si rimbocca le maniche, sa che cosa vuole e raggiunge gli obiettivi che si prefissa».


    Che cos'ha scoperto di Laura dopo questa esperienza?

    «Mi ha dimostrato che più un personaggio è grande, più non ha bisogno di nascondersi dietro a un agente. Dice ciò che pensa e, se vuole qualcosa, lo chiede. Non lo fa chiedere dagli altri».


    E i colleghi maschi?

    «Fanno più i divi rispetto alle donne. Sono più capricciosi, volubili e meno trasparenti».


    Ha incontrato "pezzi unici"nei casting di X Factor?

    «Ci sono diamanti grezzi. Ma il percorso di un artista è una combinazione di tanti elementi: voce, cultura, faccia, 
    tutto nel momento giusto. E poi l'emozione, la semplicità, la sensibilità. Un'alchimia che non sempre funziona».


    Quanto conta essere al posto giusto al momento giusto, in una carriera?

    «Nel mio mondo tantissimo»


    A lei quando è accaduto?

    «Avevo 17 anni e a una cena a Parigi ho conosciuto una signora potente, che aveva una casa discografica a New York. Metto insieme tutti i miei risparmi e volo da lei per un appuntamento, ma non può ricevermi. Ero così deluso che il suo assistente, impietosito, mi presenta in corridoio l'autrice di canzoni Jody Marr. Le faccio sentire quattro pezzi e alla fine lei mi propone di andare a Miami, dove lavorava: "Vieni e produrremo il disco». Ho investito tutti i soldi della borsa di studio e lei ha ipotecato la casa. In quell'album c'erano tutti i demo delle mie canzoni più famose ed è volato primo in classifica».


    E la signora della casa discografica?

    «Sosteneva che mi avesse aiutato lei».


    Essere libanese in che cosa l'ha aiutata?

    «I libanesi sono adattabili. Ma la verità è che, anche se sono nato a Beirut, sono cresciuto in Inghilterra e in Francia. La mia identità non arriva da un posto solo, la mia visione del mondo è quella di un migrante. La contaminazione di culture, che molti considerano una debolezza, è stata la mia forza»


    Ma dopo l'esplosione del 4 agosto lei si è sentito subito parte della tragedia di Beirut.

    «Mi sto impegnando per la gente di quel Paese, non per il Paese. Con i concerti in streaming abbiamo raccolto oltre un milione di euro che sono andati alle persone».


    Si è parlato di corruzione negli aiuti.

    «In passato ci sono stati scandali, gli aiuti andavano solo alle famiglie dei militari e della Protezione civile. Io ho seguito tutto da vicino, mi sono affidato alla Croce Rossa e all'associazione Save the Children e so che hanno fatto un buon lavoro».


    Che cos'ha imparato da questo evento?

    «Il concerto in streaming è stata una risposta anche al Covid. Mi ha insegnato che cos'è l'empatia, la connessione tra individui che si trovano distanti, quella che dobbiamo avere anche adesso mentre affrontiamo la seconda ondata dei contagi».


    Come è riuscito a ottenere il Colosseo di Roma per il concerto di Laura Pausini?

    «È stata l'unica richiesta di Laura. Io sono un ottimista e ho contattato il ministero dei Beni Culturali che in quattro ore ci ha dato il permesso. La forza della volontà arriva ovunque». 




    With a concert in which he also involved Kylie Minogue, Salma Hayek and our Laura Pausini Mika helped the people of her Beirut after the terrible explosion in August. And here the singer tells how to identify with the pain of others is the first step to overcome difficult moments. Like what we are experiencing now with the second wave of the virus


    A few minutes' phone call was enough to understand each other. When singer Mika called our national Laura in September, he never would have believed in such a quick response. The request was to support him in his charity project after the disastrous explosion in Beirut on August 4, with a streaming concert and fundraising. "She said yes to me without hiding behind a record agent or unprovable commitments," he says. "This gift has enabled us to help thousands of people."

    I meet Mika for breakfast, in front of a coffee, in the Hotel Palazzo Parigi, in Milan. The star is in town for the live X Factor, broadcast every Thursday at 9.15 pm on Sky Uno, of which he is a judge together with the singers Emma, Hell Raton and Manuel Agnelli.

    I'm here with him to deepen the concept of uniqueness. Which concerns everyone, not just the artists. How do you find out you have a talent? And above all, how do you protect yourself and cultivate a passion? "I don't believe in the concept of being special compared to others," he points out. «I'm different, yes. In the real world, someone who thinks he's special is a bit of an "asshole" to me. This distinction is important, ”he argues.


    What was the click of her life, the one that prompted her to pursue her dream?

    «I have never felt unique, it was my eyes that gave a different value to the same things that others saw. As a child I was obsessed with the theater. In central London alone, where I lived, there are 250 and I know almost all of them. Already at 8 or 9 I was working in theatrical productions, some were very big and I, cheating on the time of the meeting, I asked my mother to accompany me first to observe the technicians at work. It was like a movie within a movie ».


    What child was he?

    «A dreamer. I was the third of five siblings, all victims of the shows I set up at home. The moment of choosing the roles was the most beautiful. I soon learned the value of balance between the actors. It happened that one day my sister played the policeman and the next day the tree. Everyone wanted to avoid making the rock or the house, and stay still for hours. This is how I understood that behind the shows there is a long diplomacy job ».


    Who approached you to art?

    “My paternal grandfather, Richard, was a diplomat who lived in the United States, in Savannah, Georgia. He was a lover of jazz and a friend of the singer Nina Simone. He was also a food critic. He had friends all over the world, I admired him and I was inspired by him ».


    What is the talent that made her unique and brought her where she is today?

    «The strength of the dreamer, which has allowed me to remain consistent with my world regardless of fame and success. This freedom of thought and evaluation was offered to me by my mother at a time of great economic difficulty for the family ».


    That is?

    «She taught me to live every commitment and difficulty as a game. I was 7 when my father was taken hostage in the first Gulf War. In a short time we lost everything. My mother took us to London. We went from a large house with the housekeeper to a two-room apartment in the suburbs ».

    What memories do you have of that phase?

    “I couldn't read and write and I stopped talking for nine months. I had learning problems and became dyslexic. To the point that my mother took me out of school: "Now you have to find a job," she said. Music was my refuge, my favorite game. And every day I went to the park for hours of musical exercises. At 8 I was on stage. It was a job, but I enjoyed it. "


    A difficult choice for his mother.

    «A fantastic choice, however. It taught me respect for myself and my ideas. The road the others followed was not mine. "


    How did you overcome dyslexia?

    «Music has been my teacher. And when I started being a professional I was accepted into one of the most important schools in Europe, the Westminster School. There I met Mrs Coogan, who specializes in dyslexia. With one hour a day, for three years, it has led me to brilliant results ».


    He was lucky.

    “Yes, the school didn't have the budget for her, but she stayed the same, taking half the salary. Without her I would not have studied. '


    When did you understand the concept of uniqueness?

    «I was 11 when my mother took us to China, to Beijing, to see the opening of the first McDonald's. We were traveling without my father, she was alone with five children and the youngest was one year old. "These people, who seem all the same and dressed in gray, have dreams like you, each of them has its own story and personality," she said. This is the concept of uniqueness explained by my mother ".


    Do you recognize the uniqueness in others?

    «Yes, you have to know how to listen. That's how it went with Laura Pausini, it was immediately a genuine dialogue. She is empathetic, smart, tough, ambitious. This is not what I would call a simple person. She is a great professional, attentive to details. She rolls up his sleeves, knows what he wants and achieves the goals she sets herself ».


    What did you find out about Laura after this experience?

    “It showed me that the bigger a character, the more he doesn't need to hide behind an agent. He says what he thinks and, if he wants something, he asks for it. He does not ask the others to do so ».


    What about male colleagues?

    «They are more diva than women. They are more capricious, fickle and less transparent ».


    Did you encounter "unique pieces" in the X Factor casting?

    “There are diamonds in the rough. But the path of an artist is a combination of many elements: voice, culture, face,
    all at the right time. And then the emotion, the simplicity, the sensitivity. An alchemy that doesn't always work ».


    How important is being in the right place at the right time in a career?

    "In my world a lot"


    When did this happen to you?

    “I was 17 and at a dinner in Paris I met a powerful lady who had a record company in New York. I put all my savings together and fly to her on a date, but she can't see me. I was so disappointed that her assistant takes pity on me to introduce songwriter Jody Marr in the hallway. I play four songs for her and in the end she suggests that I go to Miami, where she worked: "Come and we will produce the record." I invested all the scholarship money and she mortgaged the house. all the demos of my most famous songs and it flew first in the charts ».


    And the lady from the record company?

    "She claimed she helped me."


    How did being Lebanese help you?

    “The Lebanese are adaptable. But the truth is, even though I was born in Beirut, I grew up in England and France. My identity does not come from just one place, my vision of the world is that of a migrant. The contamination of cultures, which many consider a weakness, has been my strength "


    But after the 4 August explosion, you immediately felt part of the Beirut tragedy.

    “I am working for the people of that country, not for the country. With streaming concerts we have collected over one million euros that went to people ».


    There was talk of corruption in aid.

    "In the past there have been scandals, aid went only to the families of the military and the Civil Defense. I have followed everything closely, I have entrusted myself to the Red Cross and the Save the Children association and I know that they have done a good job ».


    What did you learn from this event?

    «The streaming concert was also a response to Covid. He taught me what empathy is, the connection between individuals who are distant, the one we must have even now as we face the second wave of infections ».


    How did you manage to get the Colosseum in Rome for the Laura Pausini concert?

    “It was Laura's only request. I am an optimist and I contacted the Ministry of Cultural Heritage which gave us permission in four hours. Willpower reaches everywhere ».


    • Like 1
    • Thanks 2
  9. On 10/24/2020 at 9:26 PM, silver said:

    No, far too much space now.  I think it's better to add space yourself if you want it


    I made a mistake when changing it back a few weeks ago, so it didn't work, but now I fixed it.


    On 10/26/2020 at 11:23 PM, krysady said:

    It's weird, I could share here on MFC posts from IG until two days ago, it worked fine before :dunno:


    As for the Instagram embedding - it only works at a desktop, if you choose the embed code on IG and paste it here in the source view. On my mobile I don't get that option on IG.

    • Thanks 1
  10. 11 hours ago, Kumazzz said:

    of the metrosexual, that is, the man with a less defined personality

    That sentence bothered me - it might just be a translation issue, but "less defined personality" isn't true - from the rest of her text, I guess what she means is macho vs. not macho, so maybe you could say, a less big ego, a less traditionally sterotypical masculinity. 🤷🏼‍♀️


    Anyway I also don't understand why she claims it was daring of her to say that women could fall in love with a gay artist. Maybe it's daring in Italy, where the macho culture is quite strong. And imo the point also isn't to fall in love with a gay artist, but with an openly gay artist - I don't know if she means that, anyway it doesn't come across to me in the article.


    Already decades ago women fell in love with gay artists, just that these artists were not out in public. So what has changed imo is not women liking men who aren't the typical alpha male, tastes have always been diverse. But rather the understanding and acceptance of homosexuality in society. If you have a crush on an artist, it technically doesn't matter whether he's gay, straight, married or single - it's a dream that will never come true anyway, but that's beautiful to dream nevertheless. Maybe a bit like Mika sings in Good Wife.


    I don't know if maybe it's a question of maturity, and/or of confidence, to accept without sadness or bitterness that certain dreams will stay just dreams, and still be happy that you can dream them. Like, women dreaming of their Prince Charming, but only when they understand and accept that Prince Charming doesn't exist, they can be open for true love that's not like in a fairytale but still wonderful, and that can persist in everyday life. My personal experience. :dunno_grin: 


    Another aspect imo is fears of your feelings not being accepted. Before Mika came out publicly, I feared that with doing so he might want to change his audience, would just play at gay clubs and prefer to have the frontrows full of gay men instead of his existing fanbase that mainly consisted of women. I know today that these fears were irrational and based on preconceptions and ignorance from my side, but they were real to me at the time. Instead of being vocal about it, I trusted Mika, and I wasn't disappointed. Mika has this special talent of spreading tolerance and unity among people, and I think he's making the world a better place with this. :wub2:

    • Like 7
  11. 59 minutes ago, Kumazzz said:

    Daily 10

    Team Mika at The day before The Second Live Show



    Mika filmed a bit of Vergo's rehearsal and sent it to Laura Pausini, then showed Vergo her reply. I didn't understand it, but Vergo obviously was very happy about it. :biggrin2:

    Mika told his talents that they are the only representative of their own world. He talks about a secret garden, which is the most intimate part of every artist, and if you let people see it, it makes you stronger. :wub2:

    • Like 3
  12. 4 hours ago, Anna Ko Kolkowska said:



    Ah, that's the pic from his story in summer, where he said "Mika at home / Mika at work". :biggrin2:

    The interview was made when he was in Milan for the XF live. I don't understand the details, but he tells his story again about how he started singing on opera, he loves theatres, he was dyslexic and didn't speak, etc.. Also he tells the story about how he met Jodi Marr. He says something about Laura Pausini and what he's looking for in the XF candidates. And he talks about the Beirut gig.


    I need to put this through a translator later, I think it's not as interesting as the Corriere one, but still I'd love to know the details.

    • Like 1
  13. 2 hours ago, Mikasister said:



    This is a very nerve raking moment for the US *election*. I couldn’t resist frosting this illustration by the ridiculously talented @vascogargalo check out his work and his cartoons for peace. 🤞🏼🤞🏼🤞🏼❤️💪🏽



    Mika added: "I realize he is controversial at times but I loved this one"

    • Thanks 1
  14. Apparently there'll be more Covid restrictions in Italy, like after 22:00 you're not allowed to go outside anymore, and in the very affected areas, like Milan, it might be more... I wonder what that means for the lives, will they make them earlier to be finished before the curfew? Or can those who work there still go out - but I think the audience wouldn't be allowed?

    Well, I'd have been surprised if Covid didn't affect XF at all. Let's see what they'll do...

    • Like 1
    • Thanks 1
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