Pictures of YOUNG MIKA!

[Starlight]

11 hours ago, Kumazzz said:

Lorraine on 10 Oct 2019

 

 

[kreacher]

On 9/29/2019 at 8:10 PM, Kumazzz said:

Joannie Penniman, Michael Holbrook Penniman Ⅰ and Ⅱ

 

 

 

 

Joannie and Michael Holbrook Ⅱ

 

 

 

Can someone who speaks French please explain why they were showing these photos? Like, did he talk about when or where they're from? Thank you

[krysady]

17 hours ago, kreacher said:

 

Can someone who speaks French please explain why they were showing these photos? Like, did he talk about when or where they're from? Thank you

 

No, he didn't, while the photos were displayed they were talking about his mother, how important she was for his development and career and that now she is also singing a part in this album.

[kreacher]

3 hours ago, krysady said:

 

No, he didn't, while the photos were displayed they were talking about his mother, how important she was for his development and career and that now she is also singing a part in this album.

 

Ok, thanks for explaining for me

[krysady]

22 minutes ago, kreacher said:

 

Ok, thanks for explaining for me

You're welcome!  

[Kumazzz]

Rai1 :

Domenica in St 2019/20 - Puntata del 13/10/2019

https://www.raiplay.it/raiplay/video/2019/10/domenica-in-a556b038-b8c7-4b4e-b35b-9cef29279b08.html

 

 

 

 

 

 

[Poisonyoulove]

5 hours ago, Kumazzz said:

Rai1 :

Domenica in St 2019/20 - Puntata del 13/10/2019

https://www.raiplay.it/raiplay/video/2019/10/domenica-in-a556b038-b8c7-4b4e-b35b-9cef29279b08.html

 

 

 

 

That looks like it could be Westminster Abbey behind them,and it looks like he's holding a diploma in his hand, so I'd guess this is 2002?  I've heard schools in the UK don't really have graduation ceremonies like we do (in the USA) so I may be reading too much into this photo. 

[WeirdChild]

I didnt get a diploma when i left school, but i did get my gcse certificates. He did go to school in Westminster, didnt he, so a school leaving event is probably a good guess

[Kumazzz]

Caps from

2019.10.27 20h30 le dimanche

 

 

 

 

[Mikasister]

1 hour ago, Kumazzz said:

 

 

Too bad, it looks blurry 

[Faustine]

On 8/31/2015 at 3:52 AM, Kumazzz said:

VIDEO https://vk.com/video232312753_171391581?og=1

 

 

Je me demande quel âge il avait sur la photo avec les lunettes 

[Kumazzz]

 

Mica Penniman in Green Team of "Oliver !"

 

 

 

 

[Kumazzz]

@kreacher Thanks always !

 

On 3/25/2015 at 4:17 AM, kreacher said:

O

 

Oliver! - musical based on the Charles Dickens novel Oliver Twist. Mika was in the chorus of a production of it at the London Palladium on the West End for nine months sometime between 1994 and 1996. Mika spoke of it in his December 2007 Live Lounge Tour interview with Jo Whiley. 

-In his December 2007 Live Lounge Tour interview with Jo Whiley Mika said: "Then I got loads of different kinds of jobs and I always wanted to do something on the West End and I did. I did Oliver! at the West End for a couple months."..."I was in the same--I was in the show at the same time as Jack [Peñate] but we weren't in--there we two casts because for kids you've got two rules [or two roles?]. You can only work certain hours."..."I was in it for a long time and it was a lot of hard work."

*

a screen cap from

"Envoyé spécial le samedi. Les mondes de Mika"

 

 

France 2 / Envoyé spécial le samed in 2016

 

 

Oliver! 1994 Cast - Pick-a-Pocket, Fine Life, I'd Do Anything

 

I couldn't find "Mica Penniman" in the performers...

ALBUM : 1994 London Palladium Cast

Oliver! [1994 London Revival Cast]

https://www.allmusic.com/album/oliver!-1994-london-revival-cast-mw0000644062

 

http://castalbums.org/recordings/Oliver-1994-London-Palladium-Cast/3332/

Performer

Miles Anderson — Bill Sikes, Jay Barrymore, Tommy Bartlett, Aaron Bernard, Jim Bourne, Matthew Bower, Gregory Bradley (5), Luke Brown (2), Charles Brunton (2), Matt Cartwright, Katie Coffey, Jamie Connors, Stuart Dawes, Julia Deakin (2) — Mrs. Sowerberry, David Delve (5) — Mr. Sowerberry, Sally Dexter (7) — Nancy, Neil Eighteen, Jessica Fox, Anna Francolini (12), Scott De La Fuente, Jenny Galloway (16) — Widow Corney, Josephine Gordon (8), Ian Gostling, Sam Heath, Billy Heryet, Sam Howell, Rosalind James (6) — Bet, Ben Jeffrey, Sarah Lee, Carmel McSharry — Mrs. Bedwin, Ricky-Jordan Moss, Adam Norcott, Tamzin Outhwaite (2), Jack Penate, Jonathan Pryce (33) — Fagin, Victoria Pummintr, Marcus Rayner, Dan Sawyer (2), James Saxon — Mr. Bumble, Adam Searles (6) — Artful Dodger, Paula Simpson (3), Daniel Smith (2), Elvin Smith, James Villiers (2) — Mr. Brownlow, Ashley Walters (2), Keel Watson (4), Kyle Wicks, Claire Williams, Julia Worsley (6)

Notes

Premiere performance of this production at the London Palladium, 8 December, 1994. Recorded December, 1994 & January, 1995.

 

Edited February 17, 2021 by Kumazzz

[mellody]

12 hours ago, Kumazzz said:

Mica Penniman in Green Team of "Oliver !"

 

He talked about it at his 2016 gig @ Palladium.

 

[Kumazzz]

I don't know where I should post this article...

 

INDEPENDENT

 

MUSIC THEATRE War Child Peterborough

 

Tuesday 22 April 1997 23:02

https://www.independent.co.uk/arts-entertainment/music-theatre-war-child-peterborough-1268829.html

 

This latest project of the remarkable National Youth Music Theatre was commissioned as part of the Year of Opera and Music Theatre for performance in four cathedrals in the East of England. Peterborough's wide Romanesque spaces provided an awesome setting for the premiere of a piece involving over 100 young performers; and also a challenge - that of making any kind of music theatre work in such circumstances.

Starting originally from Brecht's The Children's Crusade, Wendy Cook, Jeremy James Taylor and composer Richard Taylor have devised a meditation on the experiences of children in wartime that aims to be "universal and ageless". Fragments from letters, poems and diaries are combined with the mythical tale of a city and its destruction; echoes of the terror of the wartime ghettos are answered with affirmation and hope in the words of the Psalms. Taylor's mostly lyrical music, reminiscent of the diatonic purities of such figures as Finzi or Aaron Copland, sounded wonderful in the cathedral acoustic, and the piece would have worked perfectly as an oratorio without the distracting need to perceive and understand what was happening on stage. Medieval churches were not designed with sightlines in mind (Britten took this into account, using a raked stage in his Church Parables), and admirable though the diction was, if the audience had not had copies of the libretto, the words would have been very difficult to follow.

 

When gestures, both theatrical and musical, were strong and simple - like the emergence of the children from swirling mists at the start, or the superb unaccompanied treble solo at the beginning of Part 3 - the effect was powerful. Attempts at more complex movement and intricate, layered music tended simply to be lost in the vastness of the space. Perhaps a clue lies in the composer's confessed "abandoning of any linear story or plot". Surely, in such circumstances, the one thing that is needed is a clear, simple story line?

In its absence, the piece tended to break down into its component parts; touching or striking as many of these were, somehow they didn't seem to add up to the intended greater musico-theatrical sum. That said, the NYMT's young performers were as ever impressive in their total commitment and professionalism; the singing was remarkable, with great use made of different vocal textures - solemn chorales and the warm sound of a trio of young baritones contrasted admirably with some excellent solo performances by the treble (Mica Penniman) in the Psalm setting, the "letter soloist" (Jean Barton) in the heart-rending message from a ghetto child to her mother, and an unexpected but outstanding young counter-tenor (Richard Scott) as Witness 2.

 

The orchestra was splendid, under the incisive direction of Jonathan Gill, and the massive amount of work that had obviously gone into the whole project was rewarded by an enthusiastic reception from a capacity audience - or should it be congregation?

 

Further performances: Sat 26 April, 2.30/8pm Ely Cathedral (booking: 01223 357851); Sat 10 May, 3pm/8pm Chelmsford Cathedral (01245 606505); Sat 17 May, 3pm/7.30 St Edmundsbury Cathedral, Bury St Edmunds (01284 769505)

 

 

Operas in English: A Dictionary

https://books.google.co.jp/books?id=Y8bQAwAAQBAJ&pg=PA531&lpg=PA531&dq=National+Youth+Music+Theatre+"penniman"&source=bl&ots=ZldfVAjhYe&sig=ACfU3U0MCMlLKk7XQG84psY1Zt1-rfsI1A&hl=ja&sa=X&ved=2ahUKEwj18sP5-vbuAhUXFogKHUTRBVQQ6AEwEXoECAUQAw#v=onepage&q=National Youth Music Theatre "penniman"&f=false

 

Page 531

 

@kreacher I hope this article helps your Mikapedia.

 

Edited February 19, 2021 by Kumazzz
adding image files

[kreacher]

On 2/19/2021 at 4:07 PM, Kumazzz said:

I don't know where I should post this article...

 

INDEPENDENT

 

MUSIC THEATRE War Child Peterborough

 

Tuesday 22 April 1997 23:02

https://www.independent.co.uk/arts-entertainment/music-theatre-war-child-peterborough-1268829.html

 

This latest project of the remarkable National Youth Music Theatre was commissioned as part of the Year of Opera and Music Theatre for performance in four cathedrals in the East of England. Peterborough's wide Romanesque spaces provided an awesome setting for the premiere of a piece involving over 100 young performers; and also a challenge - that of making any kind of music theatre work in such circumstances.

Starting originally from Brecht's The Children's Crusade, Wendy Cook, Jeremy James Taylor and composer Richard Taylor have devised a meditation on the experiences of children in wartime that aims to be "universal and ageless". Fragments from letters, poems and diaries are combined with the mythical tale of a city and its destruction; echoes of the terror of the wartime ghettos are answered with affirmation and hope in the words of the Psalms. Taylor's mostly lyrical music, reminiscent of the diatonic purities of such figures as Finzi or Aaron Copland, sounded wonderful in the cathedral acoustic, and the piece would have worked perfectly as an oratorio without the distracting need to perceive and understand what was happening on stage. Medieval churches were not designed with sightlines in mind (Britten took this into account, using a raked stage in his Church Parables), and admirable though the diction was, if the audience had not had copies of the libretto, the words would have been very difficult to follow.

 

When gestures, both theatrical and musical, were strong and simple - like the emergence of the children from swirling mists at the start, or the superb unaccompanied treble solo at the beginning of Part 3 - the effect was powerful. Attempts at more complex movement and intricate, layered music tended simply to be lost in the vastness of the space. Perhaps a clue lies in the composer's confessed "abandoning of any linear story or plot". Surely, in such circumstances, the one thing that is needed is a clear, simple story line?

In its absence, the piece tended to break down into its component parts; touching or striking as many of these were, somehow they didn't seem to add up to the intended greater musico-theatrical sum. That said, the NYMT's young performers were as ever impressive in their total commitment and professionalism; the singing was remarkable, with great use made of different vocal textures - solemn chorales and the warm sound of a trio of young baritones contrasted admirably with some excellent solo performances by the treble (Mica Penniman) in the Psalm setting, the "letter soloist" (Jean Barton) in the heart-rending message from a ghetto child to her mother, and an unexpected but outstanding young counter-tenor (Richard Scott) as Witness 2.

 

The orchestra was splendid, under the incisive direction of Jonathan Gill, and the massive amount of work that had obviously gone into the whole project was rewarded by an enthusiastic reception from a capacity audience - or should it be congregation?

 

Further performances: Sat 26 April, 2.30/8pm Ely Cathedral (booking: 01223 357851); Sat 10 May, 3pm/8pm Chelmsford Cathedral (01245 606505); Sat 17 May, 3pm/7.30 St Edmundsbury Cathedral, Bury St Edmunds (01284 769505)

 

 

Operas in English: A Dictionary

https://books.google.co.jp/books?id=Y8bQAwAAQBAJ&pg=PA531&lpg=PA531&dq=National+Youth+Music+Theatre+"penniman"&source=bl&ots=ZldfVAjhYe&sig=ACfU3U0MCMlLKk7XQG84psY1Zt1-rfsI1A&hl=ja&sa=X&ved=2ahUKEwj18sP5-vbuAhUXFogKHUTRBVQQ6AEwEXoECAUQAw#v=onepage&q=National Youth Music Theatre "penniman"&f=false

 

Page 531

 

@kreacher I hope this article helps your Mikapedia.

 

 

yup, i already added this info, but it's good to have it in more detail here. Thank you!

[NaoMika]

On 2/18/2021 at 6:35 AM, Kumazzz said:

 

Mica Penniman in Green Team of "Oliver !"

 

 

 

 

 

 

I've got a physical copy of the programme, here's scanned image of the pages.

 

TeamGreen.pdf TheChildren.pdf

[Kumazzz]

44 minutes ago, NaoMika said:

 

 

I've got a physical copy of the programme, here's scanned image of the pages.

 

TeamGreen.pdf 5.62 MB · 3 downloads TheChildren.pdf 4.96 MB · 3 downloads

@NaoMika Thanks a million for sharing !

 

Mica Penniman in the Team Green.

 

 

Principal Understudies

 

Mica Penniman

 

 

 

[Mikasister]

1 hour ago, Kumazzz said:

@NaoMika Thanks a million for sharing !

 

Mica Penniman in the Team Green.

 

 

 

 

Always so enthusiastic and with such energy 

[Kumazzz]

On 8/9/2008 at 7:51 AM, CazGirl said:

On Mika's performance as Emcee in Cabaret: The evening’s events are overseen by Mica Penniman’s kooky, eccentric Emcee. His lurking presence throughout is often amusing, but grows increasingly sinister as the evening comes to its climax.

 

This was done in February 2002, so I confirm that Mika was 18, but turned 19 that year in August.

 

From the Wesminster School site.

https://elizabethan.westminster.org.uk

 

The Elizabethan 2002

 

PDF file ( 1 page / 274 kb ) WE2002-72.pdf

 

 

[Kumazzz]

Mika was 17 yo.

 

The Elizabethan 2001 ( The Westminster school yearbook )

https://elizabethan.westminster.org.uk/PDFViewer/web/viewer.html?file=%2fFilename.ashx

 

Opera Scenes

It was a stunning performance form Sarah Pett, whosesoft soprano voice handled delicately all the difficulties ofthe part, and who was also remarkably moving in the roleof a suffering mother. Lucetta Johnson's portrayal of Magda, a dedicated wife of a troublesome husband, andher thrilling soprano voice were truly captivating. Brilliantand convincing were also the solos from Paola Smith,who very accurately portrayed the cutting and uncon-cerned secretary of the Consul; charismatic Mica Penni-man as a dazed magician, and Ferdinand Koenig, whosemasterfully acted and well sung aria ended in a real tri-umph of bureaucracy over human liberty.

[Kumazzz]

Well known images.

 

 

In 1984

 À 10 MOIS, DANS LES BRAS DE SA MERE, JOANNIE, EN VISITE DANS SA FAMILLE MATERNELLE DU CONNECTICUT.

 

AT 10 MONTHS, IN THE ARMS OF HER MOTHER, JOANNIE, VISITTING HER MATERNAL FAMILY IN CONNECTICUT.

 

 

In 1985

 

 

In 1998

 

ELLE

16 Novembre 2023 (No. 4065 )

 

16 hours ago, Kumazzz said:

ELLE

16 Novembre 2023 (No. 4065 )

 

• PDF file ( 5 pages / 2.6 MB ) Elle_France_16_Novembre_2023.pdf

 

page 18

 

MIKA

est musicien. La star libano-britannico-américaine sort ces jours-ci «Que ta tête fleurisse toujours » (Island), un nouvel album aussi lumineux que lui. Avec la générosité qui le caractérise, il nous ouvre son album photo perso et partage son univers pop et coloré.

 

 

page 124

 

MIKA À PART
A l'occasion de la sortie d'un nouvel opus aussi POP que lumineux, le plus DANDY des musiciens partage avec nous son album photo, entre Beyrouth, Paris et Londres.

 

page 125

 

Mika est un garçon délicieux. Délicieux à regarder, délicieux à écouter, délicieux à humer, puisqu'il arrive pour l'interview avec une focaccia tiède au thym, qu'il grignotera tout au long de la conversation. Grand, très grand, 1,92 mètre, le dandy flashy qui, sur scène, a une prédilection pour les paillettes et les costumes chatoyants est aussi un modèle d'élégance: casquette siglée Bates, des Nike Air d'un blanc immaculé qu'il entretient avec du Windex (sorte d'Ajax Vitres), un pull noir à col rond sur un pantalon à pinces en velours gris perle de chez Connolly à Londres. Une institution fré- quentée par les hommes les plus chics de la planète. Son nouvel album, «Que ta tête fleurisse toujours » (Island), promet d'être un carton avec, entre autres, le single « C'est la vie », hymne magnifique dédié à sa mère, dont la mélodie reste en tête dès la pre- mière écoute. On se prendra aussi à danser sur « Apocalypse Calypso », à rêver d'<< un amour à la Birkin », refrain envoûtant de l'une de ses chansons, pour finir par traverser la capitale au rythme de « Moi, Andy et Paris >>. Du Mika purjus, mélange de pop lumineuse et de spleen oriental, qui nous entraîne loin, très loin, de la morosité ambiante. Le garçon à l'éternelle allure preppy nous a ouvert les portes de son univers.

 

 

MES PARENTS, MES SOEURS ET MOI AU TROCADERO
<< Je suis né à Beyrouth. J'ai lan et demi lorsque la famille s'installe à Paris. Mon père, qui travaille dans la finance, gagne très bien sa vie. Nous habitons alors dans le 16° arrondissement, square Lamartine, un grand appartement débordant d'animation. Ma mère, en effet, confectionne tous nos vêtements avec ses amies. Pour elle, entrer dans un magasin de prêt- à-porter n'est pas une option. Je me souviens du bruit des machines à coudre, des grands ciseaux qui coupent les tissus, il y a toujours une femme qui fume à la fenêtre, une autre qui prépare à manger, une troisième qui met de la musique... C'est joyeux et chaleureux. Puis ma maman s'est mise à faire des vêtements pour les autres. Elle les vend ensuite dans des magasins parisiens. Moi, je vais à l'école affublé d'un pantalon à élastique, d'une cape et d'une cagoule. J'ai déjà un petit look bien à moi ! >>

 

 

 

page 126

 

AU PIANO, À 15 ANS
<< Je compose encore aujourd'hui sur le piano de mon enfance. J'ai 7 ans lorsque mon père est envoyé au Koweït, pour son travail, en pleine guerre d'Irak. Il y est resté prisonnier pendant sept mois. Lorsqu'il est enfin rentré, il a traversé une période très difficile, ses affaires ont périclité. Les huissiers ont fini par emporter tous nos meubles. Sauf le piano. Et pour cause: on le louait. La boîte de location ayant fait faillite, personne ne l'a réclamé. Résultat, c'est la seule chose que nous avons pu emmener avec nous à Londres, où nous nous sommes installés. A cette époque, j'ai eu le malheur de tomber sur une professeure qui m'a harcelé. Avec l'aval de mes parents, j'ai arrêté l'école. Le matin, j'allais au parc et l'après- midi je travaillais ma musique. J'avais une prof de piano écossaise et une prof de chant russe qui m'a formé au chant lyrique. Plus tard, j'ai réintégré le système scolaire tout en travaillant, car je commençais à composer : pour British Airways, pour des émissions de cuisine, pour une pub de chewing-gums... >>

 

MON ATELIER DE CREATION
<< L'année dernière, j'ai fondé un atelier de création dans un village de Toscane, à trente minutes de Florence. Sur la photo à gauche on voit la zia (la "tante") Dora, qui est aussi la D.A., en plein essayage. Cela faisait très longtemps que j'avais cette envie en tête. Je perpétue l'héritage de ma mère, dans un pays où l'artisanat et le savoir-faire sont rois. Ma dernière création :
le costume miroir que je portais sur scène lors de la finale de la Coupe du monde de rugby. >>

 

 

LE PORT DE TYR
<< Le Liban, c'est une part de mon identité. Le joli port de Tyr, où nous allions en vacances, avec ses lumières qui scintillent, en fait partie. Mais aussi cette façon si typique de poser un regard grave sur le monde, de se poser des questions. Sans oublier les mélodies d'Oum Kalthoum et de Fairuz, l'odeur du café noir et celle du thé blanc, l'arak, la politique, les épices, l'arabe que les tantes parlent entre elles et leurs effluves de laque Elnett. >>

 

 

page 127

 

MA FAMILLE
<< Je travaille avec ma sœur Yasmine depuis vingt- sept ans ! Elle sait donner vie à mon imaginaire. Nous avons été élevés dans une atmosphère de création permanente.

Sur la photo de droite, la fratrie est au complet, à l'exception de Paloma, qui est styliste et vit à Paris. Zuleika est créatrice de bijoux et va bientôt lancer sa marque.
Et le petit dernier, Fortuné, est architecte. >>

 

LA CUISINE
<< Je n'aime rien autant que cuisiner ! C'est important pour la tête. D'ailleurs, à la maison, mon bureau est au milieu de la cuisine. Là, c'était lors d'une tournée aux îles Fidji. Nous étions à l'hôtel, et j'avais demandé d'avoir accès à la cuisine.
J'ai préparé des boulettes de
viande au cumin, sauce tomates- olives, pour toute l'équipe. >>

 

LE DESSIN DE MA MERE
«Ma mère est décédée d'un cancer du cerveau en février 2021. A la fin de sa vie, elle avait du mal à communiquer.
Elle ne pouvait plus écrire ni lettres ni e-mails, alors mes sœurs lui ont acheté un iPad afin qu'elle puisse communiquer malgré tout. Ce dessin, c'est le dernier message qu'elle m'a envoyé pour mon anniversaire. Et sa manière de me donner une clé pour l'avenir. Comme si elle me disait : "Si tu réussis à donner vie aux idées qui sortent de ta tête, tu seras heureux." Cela peut sembler naïf, mais c'est en réalité très profond. Ce dessin a donné son titre à mon disque "Que ta tête fleurisse toujours". La chanson "C'est la vie" lui est dédiée. »

 

ALBUM << QUE TA TĒTE FLEURISSE TOUJOURS >>
de Mika (Island).
Sortie le 1er décembre.

 

 

 

 

[mellody]

I've opened a new thread for Mika's singing as a young boy and moved your recent discussion there... I think some of it might be on here as well, as it's not just pictures but also videos... but I think his beautiful voice as a young boy also deserves its own thread.

 

[NaoMika]

Hi there 

 

I'm not sure if this article has already been posted as many files in old posts are broken. 

Anyway posting here for archive.

Adorable MIKA and Paloma in the costumes made by his mother. 

 

 

Chelsea News and General Advertiser 

Thursday 23 March 1995

 

This play's iust wizard!

●Dressed to follow the Yellow Brick Road are pupils from St Philip's prep school in Wetherby Place Kensington

●The Wizard of Oz was performed by the school at the London Oratory School in Fulham before 320 people on Monday

●Stars of the evening in costumes mas-terminded by Joanie Penniman, are (back) James McCaffrey 13 (Wizard) George McDonaugh 13 (Lion) Mica Penniman 11 (witch) Paloma Penniman 12 (Dorothy) (front) Teddy Yip 13 (Scarecrow) and John McLeod 12 (Tin Man)

●Donations went to KIDS a charity for mentally handicapped.

 

 

Chelsea News and General Advertiser - Thursday 23 March 1995.pdf

 

 

 

Edited Tuesday at 09:37 AM by NaoMika
typo

[mellody]

3 minutes ago, NaoMika said:

Hi there 

 

I'm not sure if this article has already been posted as many files in old posts are broken. 

Anyway posting here for archive.

Adorable MIKA and Paloma in the costumes made by my his mother. 

 

 

Chelsea News and General Advertiser 

Thursday 23 March 1995

 

This play's iust wizard!

●Dressed to follow the Yellow Brick Road are pupils from St Philip's prep school in Wetherby Place Kensington

●The Wizard of Oz was performed by the school at the London Oratory School in Fulham before 320 people on Monday

●Stars of the evening in costumes mas-terminded by Joanie Penniman, are (back) James McCaffrey 13 (Wizard) George McDonaugh 13 (Lion) Mica Penniman 11 (witch) Paloma Penniman 12 (Dorothy) (front) Teddy Yip 13 (Scarecrow) and John McLeod 12 (Tin Man)

●Donations went to KIDS a charity for mentally handicapped.

 

 

Chelsea News and General Advertiser - Thursday 23 March 1995.pdf 972.89 kB · 0 downloads

 

 

 

 

That's so cute! thanks for posting, I hadn't seen it before.