Anna Ko Kolkowska Posted October 14, 2021 Share Posted October 14, 2021 (edited) The 19th of October at 8pm Mika will be on France Musique Radio https://www.francemusique.fr/emissions/les-larmes-de-mika?fbclid=IwAR20ZRtV9Ujb9Eh5wCqydnIeX3kJc3yx0BX5_xnsOo4gdNqIoVgvij_D2w4 Les Larmes de Mika L'équipe de l'émission : MikaProduction Arnaud ChappatteRéalisation Marjolaine Portier-KaltenbachCollaboration En prélude à ses concerts à la Philharmonie de Paris le 23 et 24 octobre prochains avec l’Orchestre National de France, France Musique propose une carte blanche à Mika... Dans l’intimité du studio, seul au micro, il nous fait partager ses coups de cœur en musique classique et en jazz et offre aux auditeurs de France Musique sa programmation idéale. The show team: Production: Mika Director: Arnaud Chappatte Collaboration: Marjolaine Portier-Kaltenbach As a prelude to his concerts at the Philharmonie de Paris on October 23 and 24 with the Orchestre National de France, France Musique is offering Mika carte blanche ... In the privacy of the studio, alone at the microphone, he shares his favorites with us in classical music and jazz and offers France Musique listeners his ideal programming. Edited October 14, 2021 by Anna Ko Kolkowska 5 Link to comment Share on other sites More sharing options...
Anna Ko Kolkowska Posted October 14, 2021 Author Share Posted October 14, 2021 Mika forwarded Tweet 3 Link to comment Share on other sites More sharing options...
Kumazzz Posted October 15, 2021 Share Posted October 15, 2021 INSTAGRAM https://www.instagram.com/p/CVCgrm8gCHU/ [Evénement] Mardi 19 octobre, carte blanche à @mikainstagram dans "Les Larmes de Mika": ses coups de ♥️ et sa programmation musicale idéale 🙂🎉🎶#mika #francemusique #evenement @radiofrance 3 Link to comment Share on other sites More sharing options...
Mikasister Posted October 15, 2021 Share Posted October 15, 2021 Twitter 3 Link to comment Share on other sites More sharing options...
Presci1108 Posted October 15, 2021 Share Posted October 15, 2021 That sounds really interesting. 2 Link to comment Share on other sites More sharing options...
Mikasister Posted October 16, 2021 Share Posted October 16, 2021 5 1 Link to comment Share on other sites More sharing options...
Paoletta Posted October 17, 2021 Share Posted October 17, 2021 (edited) @Mikasister it may be that the symbol he had on the palm of his hand referred to marc voichet who has precisely as an image the hand as he had mystery solved Edited October 17, 2021 by Paoletta 1 Link to comment Share on other sites More sharing options...
Paoletta Posted October 17, 2021 Share Posted October 17, 2021 partage ici s'il vous plait Link to comment Share on other sites More sharing options...
Mikasister Posted October 18, 2021 Share Posted October 18, 2021 2 Link to comment Share on other sites More sharing options...
Mikasister Posted October 18, 2021 Share Posted October 18, 2021 Mika IG story 245684373_1344887422592440_2124208501242553523_n.mp4 2 Link to comment Share on other sites More sharing options...
Mikasister Posted October 18, 2021 Share Posted October 18, 2021 1 Link to comment Share on other sites More sharing options...
Mikasister Posted October 18, 2021 Share Posted October 18, 2021 2 Link to comment Share on other sites More sharing options...
Anna Ko Kolkowska Posted October 18, 2021 Author Share Posted October 18, 2021 5 podcasts are already available!!!!! https://www.francemusique.fr/emissions/les-larmes-de-mika 1 Link to comment Share on other sites More sharing options...
Kumazzz Posted October 18, 2021 Share Posted October 18, 2021 DIRECT MP3 ( 1 hour / 55 MB ) http://rf.proxycast.org/b618e7cd-b637-43ff-b86c-1d1a11fb938e/22901-18.10.2021-ITEMA_22810905-2021M45291E0001-21.mp3 3 3 Link to comment Share on other sites More sharing options...
Mikasister Posted October 18, 2021 Share Posted October 18, 2021 MIKA IG story 734284584.mp4 Link to comment Share on other sites More sharing options...
Kumazzz Posted October 18, 2021 Share Posted October 18, 2021 Pics from https://www.francemusique.fr/emissions/les-larmes-de-mika 1 Link to comment Share on other sites More sharing options...
Kumazzz Posted October 18, 2021 Share Posted October 18, 2021 1 hour ago, Kumazzz said: DIRECT MP3 ( 1 hour / 55 MB ) http://rf.proxycast.org/b618e7cd-b637-43ff-b86c-1d1a11fb938e/22901-18.10.2021-ITEMA_22810905-2021M45291E0001-21.mp3 CLIPS Franz Schubert https://www.francemusique.fr/emissions/les-larmes-de-mika/les-larmes-de-mika-pastille-franz-schubert-winterreise-die-kraehe ☛ MP3 https://media.radiofrance-podcast.net/podcast09/22901-18.10.2021-ITEMA_22810905-2021M45291E0005-21.mp3 Franz Schubert Winterreise : die Krähe Dietrich Fischer-Dieskau (baryton) Gerald Moore (piano) Extrait du disque "Winterreise Intégrale" Deutsche Grammophon Les Larmes de Mika - 5 minutes avec Franz Schubert « Comment chanter sans chanter ? Il faut de la maîtrise technique et émotionnelle. Dietrich Fischer-Dieskau l'a. Ça vient des mots, de la poésie, et de la collaboration avec le pianiste » Mika Tears of Mika - 5 minutes with Franz Schubert "How to sing without singing? It takes technical and emotional mastery. Dietrich Fischer-Dieskau has it. It comes from the words, from the poetry, and from the collaboration with the pianist »Mika Claudio Monteverdi https://www.francemusique.fr/emissions/les-larmes-de-mika/les-larmes-de-mika-pastille-claudio-monteverdi-lamento-della-ninfa ☛ MP3 https://media.radiofrance-podcast.net/podcast09/22901-18.10.2021-ITEMA_22810905-2021M45291E0004-21.mp3 Claudio Monteverdi Lamento della ninfa SV 163 : Amor' dicea Montserrat Figueras (soprano) La Capella Reial de Catalunya Jordi Savall (direction) Extrait du disque "Monteverdi : Madrigali guerrieri et amorosi" Astree Les Larmes de Mika - 5 minutes avec Claudio Monteverdi « On pense la musique de Claudio Monteverdi comme austère mais ce n'est pas vrai. On sort de la Renaissance, et il parvient à mélanger ses règles strictes à l'émotion. Il met la technique musicale au service de la poésie. Sans Monteverdi, pas de Schubert » Mika Tears of Mika - 5 minutes with Claudio Monteverdi “We think of Claudio Monteverdi's music as austere, but that's not true. We come out of the Renaissance, and he manages to mix his strict rules with emotion. He puts musical technique at the service of poetry. Without Monteverdi, no Schubert »Mika Kurt Weill https://www.francemusique.fr/emissions/les-larmes-de-mika/les-larmes-de-mika-pastille-kurt-weill-die-dreigroschenoper ☛ MP3 https://media.radiofrance-podcast.net/podcast09/22901-18.10.2021-ITEMA_22810905-2021M45291E0002-21.mp3 Kurt Weill (Texte Berthold Brecht) L'Opéra de quat'sous : Moritat von Mackie Messer (Mack The Knife) Lotte Lenya (chant) Roger Bean et son orchestre Extrait du disque "Lotte Lenya Sings Kurt Weill" Sony Bmg Music Entertainment Les Larmes de Mika - 5 minutes avec Kurt Weill « C'est quoi le geste pop ? Pourquoi l'obsession de la différence entre musique légère et musique sérieuse ? Kurt Weill répond à ça, en étant un énorme anti-snob » Mika Tears of Mika - 5 minutes with Kurt Weill "What is the pop gesture?" Why the obsession with the difference between light music and serious music? Kurt Weill responds to that, being a huge anti-snob »Mika Benjamin Britten https://www.francemusique.fr/emissions/les-larmes-de-mika/les-larmes-de-mika-5-minutes-avec-benjamin-britten ☛ MP3 https://media.radiofrance-podcast.net/podcast09/22901-18.10.2021-ITEMA_22810905-2021M45291E0007-21.mp3 Benjamin Britten Serenade for tenor, horn and strings : 3. Nocturne Peter Pears (ténor) Orchestre Symphonique de Londres Benjamin Britten (direction) Extrait du disque "Britten : Serenade/Illuminations" Decca Les Larmes de Mika : 5 minutes avec Benjamin Britten Mika présente l'un de ses coups de coeur : le Nocturne de la Sérénade pour ténor, cor et cordes de Benjamin Britten Tears of Mika: 5 minutes with Benjamin Britten Mika presents one of his favorites: the Nocturne de la Sérénade for tenor, horn and strings by Benjamin Britten Giacomo Puccini https://www.francemusique.fr/emissions/les-larmes-de-mika/les-larmes-de-mika-5-minutes-avec-giacomo-puccini ☛ MP3 https://media.radiofrance-podcast.net/podcast09/22901-18.10.2021-ITEMA_22810905-2021M45291E0006-21.mp3 Giacomo Puccini Manon Lescaut Acte IV : "Sola, perduta, abbandonata" Maria Callas (soprano) Philharmonia Orchestra Tullio Serafin (direction) Extrait du disque "Maria Callas, The Studio Recitals" EMI Classics Les Larmes de Mika - 5 minutes avec Giacomo Puccini « Maria Callas bouleverse avec sa voix. Cette voix c'est du feu, des larmes et du soleil qui émanent d'un être humain » Mika Tears of Mika - 5 minutes with Giacomo Puccini “Maria Callas is overwhelming with her voice. This voice is fire, tears and the sun emanating from a human being ”Mika Charlie Parker https://www.francemusique.fr/emissions/les-larmes-de-mika/les-larmes-de-mika-5-minutes-avec-charlie-parker ☛ MP3 https://media.radiofrance-podcast.net/podcast09/22901-18.10.2021-ITEMA_22810905-2021M45291E0008-21.mp3 Ray Noble Cherokee Charlie Parker (saxophone alto) Nat King Cole (piano) Oscar Moore (guitare) Johnny MIller (basse) Buddy Rich (batterie) Extrait du disque "At the Finale club & more" RLR Records Les Larmes de Mika : 5 minutes avec Charlie Parker « Pour moi, c'est un mystère, le jazz. Comment un saxophoniste peut-il glisser avec autant d'aisance d'une tonalité à l'autre ? Il y a quelque chose de céleste dans le bebop, après le swing, grâce à Charlie Parker » Mika Tears of Mika: 5 minutes with Charlie Parker “For me, jazz is a mystery. How can a saxophonist glide so smoothly from one key to another? There is something heavenly in the bebop, after the swing, thanks to Charlie Parker »Mika Link to comment Share on other sites More sharing options...
Kumazzz Posted October 18, 2021 Share Posted October 18, 2021 2 hours ago, Kumazzz said: DIRECT MP3 ( 1 hour / 55 MB ) http://rf.proxycast.org/b618e7cd-b637-43ff-b86c-1d1a11fb938e/22901-18.10.2021-ITEMA_22810905-2021M45291E0001-21.mp3 AUDIO VIDEO 2 Link to comment Share on other sites More sharing options...
Kumazzz Posted October 19, 2021 Share Posted October 19, 2021 https://www.francemusique.fr/emissions/les-larmes-de-mika/les-larmes-de-mika-du-mardi-19-octobre-2021 Les Larmes de Mika Dans l’intimité du studio, seul au micro, Mika partage ses coups de cœur et offre aux auditeurs sa programmation idéale : « Les Larmes de Mika » : larmes de joie, de mélancolie, de Callas à Penderecki, en passant par Weill, Schubert, Coltrane, Charlie Parker et Nina Simone. Mika's Tears In the privacy of the studio, alone at the microphone, Mika shares his favorites and offers listeners his ideal program: “Les Larmes de Mika”: tears of joy, of melancholy, from Callas to Penderecki, including Weill, Schubert , Coltrane, Charlie Parker and Nina Simone. Programmation musicale "The lads in their hundreds", est une mélodie du XXe siècle sur un poème tendu et chargé qui souligne ce qui se passe après : toute une génération de jeunes hommes qui ne vieilliront jamais à cause de la Première Guerre Mondiale » "The lads in their hundreds", is a 20th century melody on a tense and loaded poem that highlights what happens next: a whole generation of young men who will never grow old because of the First World War ” George Butterworth (Texte Alfred Edward Housman)6 Songs from a Shropshire Lad : n°5, The lads in their hundredsBryn Terfel (baryton-basse)Malcolm Martineau (piano) Extrait du disque "Bryn Terfel : The vagabond" Deutsche Grammophon Une chanson qui change de forme, qui change de sens, mais qui reste la même chanson : ça c'est la définition d'un grand classique A song that changes shape, changes meaning, but remains the same song: that's the definition of a great classic Traditionnel / Luciano BerioFolk Songs : 1. Black is the Colour of my True Love’s HairLucile Richardot (mezzo-soprano)Les Cris de ParisGeoffroy Jourdain (direction) Extrait du disque "Berio To Sing" Harmonia Mundi ⓘ Publicité TraditionnelBlack is the Colour of my True Love’s Hair Nina Simone (chant, piano) Extrai du disque "After hours" Verve Là on est dans la séduction, dans la beauté, dans la tristesse délicieuse, sorte de nature morte musicale There we are in seduction, in beauty, in delicious sadness, a sort of musical still life John DowlandFlow My TearsAndreas Scholl (haute-contre)Andras Martin (luth) Extrait du disque "Chansons anglaises et pieces pour luth du XVIIème siècle" Harmonia Mundi Kurt Weill est énorme anti-snob, il était un refuge pour moi quand j'étais au Conservatoire Kurt Weill is huge anti-snob, he was a refuge for me when I was at the Conservatory Kurt Weill (Texte Berthold Brecht) L'Opéra de quat'sous : Moritat von Mackie Messer (Mack The Knife)Lotte Lenya (chant)Roger Bean et son orchestre Extrait du disque "Lotte Lenya Sings Kurt Weill" Sony Bmg Music Entertainment Comment décrire en musique la souffrance ? Pourquoi le faire ? Comment le faire ? How to describe suffering in music? Why do it? How to do it ? Krzysztof PendereckiThrène à la mémoire des victimes d'Hiroshima - pour 52 instruments à cordesOrchestre Symphonique de la Radio de LeipzigHerbert Kegel (direction) Extrait du disque "Benjamin Britten : War requiem" Berlin Classics Avec le jazz je me rapproche du ciel With jazz I get closer to the sky Charlie ParkerCherokeeCharlie Parker (saxophone alto)Nat King Cole (piano)Oscar Moore (guitare)Johnny MIller (basse)Buddy Rich (batterie) Extrait du disque "At the Finale club & more" Rlr Records Hildegard von Bingen est une femme radicale, mystérieuse, complètement punk du XIIème siècle Hildegard von Bingen is a radical, mysterious, completely punk woman of the 12th century Hildegarde von BingenColumba AspexitEmma Kirby (soprano)Emily Van Evera (soprano)Poppy Holden (soprano)Doreen Muskett (vielle à roue) Extrait du disque "A Feather on the Breath of God" Hyperion On pense la musique de Claudio Monteverdi comme austère mais ce n'est pas vrai. On sort de la Renaissance, et il parvient à mélanger ses règles strictes à l'émotion. Il met la technique musicale au service de la poésie. Sans Monteverdi, pas de Schubert Claudio Monteverdi's music is thought of as austere, but this is not true. We come out of the Renaissance, and he manages to mix his strict rules with emotion. He puts musical technique at the service of poetry. Without Monteverdi, no Schubert Claudio MonteverdiLamento della ninfa SV 163 : Amor' diceaMontserrat Figueras (soprano)La Capella Reial de CatalunyaJordi Savall (direction) Extrait du disque "Monteverdi : Madrigali guerrieri et amorosi" Astree Comment chanter sans chanter ? Il faut de la maîtrise technique et émotionnelle. Dietrich Fischer-Dieskau l'a. Ça vient des mots, de la poésie, et de la collaboration avec le pianiste How to sing without singing? It takes technical and emotional mastery. Dietrich Fischer-Dieskau has it. It comes from the words, from the poetry, and from the collaboration with the pianist Franz SchubertWinterreise : die KräheDietrich Fischer-Dieskau (baryton)Gerald Moore (piano) Extrait du disque "Winterreise Intégrale" Deutsche Grammophon Maria Callas bouleverse avec sa voix. Cette voix c'est du feu, des larmes et du soleil qui émanent d'un être humain Maria Callas is overwhelming with her voice. This voice is fire, tears and sun emanating from a human being Giacomo PucciniManon Lescaut Acte IV : "Sola, perduta, abbandonata"Maria Callas (soprano)Philharmonia OrchestraTullio Serafin (direction) Extrait du disque "Maria Callas, The Studio Recitals" EMI Classics Je dédie ce Nocturne à mon professeur de chant au Royal College of Music : Neil Mackie, le protégé de Peter Pears qui était le compagnon de Benjamin Britten I dedicate this Nocturne to my singing teacher at the Royal College of Music: Neil Mackie, the protégé of Peter Pears who was the companion of Benjamin Britten Benjamin BrittenSerenade for tenor, horn and strings : 3. NocturnePeter Pears (ténor)Orchestre Symphonique de LondresBenjamin Britten (direction) Extrait du disque "Britten : Serenade/Illuminations" Decca 2 Link to comment Share on other sites More sharing options...
Mikasister Posted October 19, 2021 Share Posted October 19, 2021 2 Link to comment Share on other sites More sharing options...
Kumazzz Posted October 19, 2021 Share Posted October 19, 2021 4 hours ago, Mikasister said: MAXXI Classique Par Max Dozolme du lundi au vendredi à 8h20 https://www.francemusique.fr/emissions/maxxi-classique/maxxi-classique-du-mardi-19-octobre-2021 ☛ MP3 link https://media.radiofrance-podcast.net/podcast09/21713-19.10.2021-ITEMA_22811935-2021M41006S0292-21.mp3 Quand Mika chantait un opéra de Vaughan Williams et s'inspirait de Rossini Saviez-vous que Mika s'était inspiré d'un air célèbre de Rossini pour composer sa chanson Grace Kelly ? Et qu'à l'âge de 14 ans il chantait en soliste dans un opéra de Vaughan Williams ? Le baryton Gerald Finley et Mika à l'âge de 14 ans lors d'une répétition de The Pilgrim's Progress au Royal Opera House de Londres en 1998., © Laurie Lewis/Photoshot/Getty Images Ce soir à 20 heures, France Musique ouvre son antenne au chanteur Mika. Une soirée intitulée "Les larmes de Mika" où la star de la pop se racontera en musique et qui s’annonce très belle puisqu’elle commencera sur un air anglais de George Butterworth. Une mélodie anglaise d’inspiration folklorique chantée par le gallois Bryn Terfel. De toutes les versions qui existent en disque, c’est celle-ci que Mika a choisi en ouverture de sa carte blanche. Une émission spéciale où vous pourrez découvrir à quel point le chanteur connait ses classiques et qui me rappelle ce joli moment de télévision où il expliquait à Nagui que son premier tube, la chanson Grace Kelly devait beaucoup à l’opéra. C’était en février 2007 sur le plateau de Taratata. Pour écrire le titre qui le propulsera au rang de superstar, Mika s’était inspiré du célèbre air Largo al factotum extrait du Barbier de Séville de Rossini ! Et quand on connait la vie et la formation musicale du chanteur rien d’étonnant à cela. Avant d’être fortement inspiré par le lyrisme pop de Freddie Mercury, Prince ou Michael Jackson le jeune Michael Holbrook Penniman de son vrai nom était entré dans le monde de la musique par la grande porte du classique. Ses premiers cours de piano et de chant lui ont été donnés en Angleterre par une chanteuse russe qui a fait naître en lui une véritable passion pour l’opéra ! Cet apprentissage très strict et les bonnes prédispositions de Mika lui ont permis de développer une technique suffisamment solide pour étudier dans deux conservatoires prestigieux : la Westminster School et le Royal College of Music de Londres. A seulement onze ans Mika ne chantait pas encore du rock mais il chantait dans les chœurs d’un opéra de 1919 de Richard Strauss : La Femme sans ombre. Gerald Finley et Mika au Royal Opera en 1998., © Laurie Lewis/Photoshot/Getty Images En 1998 il donnait en création mondiale une pièce du compositeur japonais Dai Fujikura intitulée Children dans laquelle il était soprano soliste. C’était quelques mois seulement après que les micros du label Chandos n’enregistrent sa voix dans un opéra anglais de Ralph Vaughan Williams : The Pilgrim's Progress ! Et non vous ne rêvez pas, cette voix de jeune soprano est belle et bien celle d’un Mika qui était alors âgé de 14 ans. Une superbe version de l’opéra The Pilgrim's Progress qu’il interprétait aux côté du baryton Gerald Finley et l’orchestre du Royal Opera House. Google translator When Mika sang an opera by Vaughan Williams and was inspired by Rossini Did you know that Mika was inspired by a famous tune by Rossini to compose his song Grace Kelly? And that at the age of 14 he sang as a soloist in an opera by Vaughan Williams? This evening at 8 pm, France Musique opens its antenna to the singer Mika. An evening entitled "Tears of Mika" where the pop star will tell his story in music and which promises to be very beautiful since it will begin with an English tune by George Butterworth. An English folk inspired melody sung by Welsh Bryn Terfel. Of all the versions that exist on disc, this is the one that Mika chose when opening his carte blanche. A special show where you can discover how well the singer knows his classics and which reminds me of that lovely moment on television when he explained to Nagui that his first hit, the song Grace Kelly owed a lot to the opera. It was in February 2007 on the Taratata plateau. To write the title that will propel him to the rank of superstar, Mika was inspired by the famous aria Largo al factotum from Rossini's Barber of Seville! And when you know the life and musical training of the singer, it’s not surprising. Before being strongly inspired by the pop lyricism of Freddie Mercury, Prince or Michael Jackson, the young Michael Holbrook Penniman of his real name had entered the world of music by the great door of the classic. His first piano and singing lessons were given to him in England by a Russian singer who instilled in him a real passion for opera! This very strict apprenticeship and Mika's good predispositions allowed him to develop a technique solid enough to study in two prestigious conservatories: Westminster School and the Royal College of Music in London. At only eleven years old Mika was not yet singing rock but sang in the chorus of a 1919 opera by Richard Strauss: The Woman Without Shadow. In 1998 he gave a world premiere of a piece by Japanese composer Dai Fujikura entitled Children in which he was solo soprano. It was only a few months after the Chandos label mics recorded his voice in an English opera by Ralph Vaughan Williams: The Pilgrim's Progress! And no you are not dreaming, this young soprano voice is beautiful and indeed that of a Mika who was then 14 years old. A superb version of the opera The Pilgrim's Progress which he performed alongside baritone Gerald Finley and the Royal Opera House Orchestra. Original Large size PICS ( 3445 x 2308 / 6 MB ) Spoiler AUDIO VIDEO 4 Link to comment Share on other sites More sharing options...
Paoletta Posted October 19, 2021 Share Posted October 19, 2021 merci, thank you. graziee @Kumazzz 1 Link to comment Share on other sites More sharing options...
mellody Posted October 19, 2021 Share Posted October 19, 2021 I tuned in 20 minutes late and hearing the 2nd song now without hearing Mika talking... does anyone know which song it is? I was trying to figure it out from the playlist on the website but couldn't. Link to comment Share on other sites More sharing options...
Anna Ko Kolkowska Posted October 19, 2021 Author Share Posted October 19, 2021 8 minutes ago, mellody said: I tuned in 20 minutes late and hearing the 2nd song now without hearing Mika talking... does anyone know which song it is? I was trying to figure it out from the playlist on the website but couldn't. But you can listen the whole podcast already saved here. It was available yesterday. Eriko has even saved it on YouTube. 2 Link to comment Share on other sites More sharing options...
mellody Posted October 19, 2021 Share Posted October 19, 2021 1 minute ago, Anna Ko Kolkowska said: But you can listen the whole podcast already saved here. It was available yesterday. Eriko has even saved it on YouTube. I want to listen on their website to let them know that people are interested in Mika. Ideally live. But guess I'll listen to the podcast on their site instead, because I don't have the impression that the current show involves Mika, although it says so on their site. It's already the 3rd song, I surely would have heard him talk by now... I don't get it, did they cancel the program tonight? 1 Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now