marlasinger
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We can hear his song "Happy Ending" in hungarian X Faktor.
And yesterday was a report about a boy of the other compatition "Megasztár" (the hungarian version of American Idol), who works as karaoke singer and he singed Mika's Grace Kelly.
Well, I know, he's not Mika, but I was happy to hear the song...
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Köszi mindenkinek,de hála istennek vele nem történt akkora tragédia,mivel Devecser szélén egy nagyon kicsi faluban lakik:wink2:
De azért annyira borzalmas látni még a Tv-ből is,hogy mi van ott,nem az,hogy élőben.Beszéltem néhány emberrel és tényleg a legnagyobb elkeseredést látod mindenhol.Kaptak nagyon sok adományt,aminek mindenki nagyon örül és nem is gondolták volna,hogy ilyen sokan támogatják őket.De ahogy beljebb mész,egyre súlyosabb a helyzet.Tényleg annyira borzalmas látni azt,hogy nincs hova menniük.De az ott lakók próbálnak nem szomorúnak látszani,sokat mosolyognak és sokan vannak akik pl. főznek nekik vagy takarítanak.Mindenki segít amivel tud.
Uh, ez nagyon kemény lehet.
TV-n keresztül is az, nemhogy élőben. Az áldozatokról ne is beszéljünk...meg hát amit Suzie is írt... hogy káros a por...
Hallottátok mi történt Palomával?Szegénykém.Remélem gyorsan felépül és Mika nem törli a Tunéziai showt.Igen, olvastam én is. Láttam a képeket a kerítésről, Istenem, azt is rossz volt nézni.
Simán belehalhatott volna. Remélem, jól van. De el tudom képzelni, hogy a család is min megy most keresztül. Ráadásul Mika ott is volt, mikor a baleset történt...Amúgy szerintetek ez mikor dől el, hogy megtartja-e a fellépéseit? Végül is, 1 hét van még...
Rossz ez a hírzárlat, de teljes mértékben megértem őket. Csak jó lenne hallani valamit.
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I can't possibly say this in Hungarian - maybe Suzie could translate for me? - but I hope no-one has been affected by the terrible toxic sludge spill.
This is nice from you, thank you! I'll hope too, all hungarian MFC'rs are alright!
It's a horrible tragedy. Suzie already wrote about it.
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Igen,akkor igaz.Tényleg minden ország tud róla.
Ez furcsa,láttam ugyan a CNN-en meg még pár európai csatornán,de nem gondoltam volna,amúgy igen.Én nem,de a nagymamám érintett volt,neki nem tett olyan nagy kárt benne ,ugyan de a padlója piros.
Jaj, ez szörnyű! Remélem, a nagymamáddal minden oké!
Borzasztó tragédia lehet. Én Budapesten élek jelenleg, nem érintett a környezetemben senki, de nap-mint-nap látni a tévében, milyen súlyos károkat okozott a katasztrófa, látni az embereket, ahogy küzdenek az otthonukért, szeretteikért... szívszorító.
Csak reménykedem, nem történik meg még egyszer, legutóbb azt hallottam, megrepedt megint a gát!
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Thanks, but this is not full version.
It's a little break in the middle... the end of Happy Ending and the beginning of Billy Brown are missing.
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I'm looking for the full video version of Happy Ending and Billy Brown from the Baden-Baden gig 2009... (I don't find them neither on youtube nor here...)
Thank you for the help!
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nekem főzhetne,akármilyen rossz lenne úgyis megenném:roftl:
biztos?
:roftl:Alapkajákat csak tud csinálni. Vagy ideje lesz megtanulnia, ha már saját lakásba költözik.
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Sziasztok,
Mivel akad 1-2 új érdeklődő, erre az oldalra is összeszedtem azokat a cikkeket / interjúrészleteket, amelyben Mika az egyes dalok keletkezéséről, jelentéséről beszél. Íme:
Source:MIKA ON 4MUSIC: 4PLAY: MIKA
Friday 02 February 2007
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Mika talks to 4Music abaout some of the songs on his debut album "Life In Cartoon Motion" - interspersed by extracts of songs performed live.
LOVE TODAY
People have a hard time trying to place my music and they always ask me, you know, “What do you do?” and I always just to say I make Pop music. But if I had to sum up my sound, you know, in a phrase I would, you know, call it hyper-psycho-babble pop’. Yeah. (laughs) That’s as close as I can get to a description anyway.
I wrote ‘Love Today’ when I was really happy and it’s kind of a command for getting everyone to feel the same way that I was feeling. At the same time it tells really odd little stories about all these different kinds of people and everyone’s trying to trying to find love, and everyone’s trying to, you know, find love or sex. But whatever way they go about it, everyone’s looking for the same thing.
People have been comparing me with so many different artists. One name that keeps coming up is the Scissor Sisters, and people compared me to Queen and Freddie Mercury, which I think is an honour, but also terrifying. You know, I think Freddie Mercury was a genius, musically and technically.
I think the best word to describe my musical influences is “psychotic”. (chuckles) It goes a little bit everywhere. I’m the worst person to play music at a party because I’ll always piss off a certain group of people. I’ll play some really hip, you know Cornelius electro music from Japan and then the next track I’ll play will be some kind of vintage original Disney recording. And that’s kind of found it’s way into my songwriting.
LOLLIPOP
I had a lot of trouble at school when I was younger. It got to a point when it was really bad. That led to me being taken out of school for about 6 – 8 months. I didn’t have anything to do during the day so my mother found me a Russian singing teacher. Her name was Alla, and she would terrorise me into practising, and it was the best thing that ever really happened to me. It was really hard. She trained me like an athlete. I didn’t realise what was happening at such an early age. I was about 11 years old.
Within a couple of months of doing that I got my first gig, which was in the chorus of a Strauss opera at the Royal Opera House.
In this other world you didn’t have to deal with reality in the same way that everybody else did and all the weird things about you actually became special and so I kind of really took to that kind of atmosphere.
I first wrote ‘Lollipop’ as a message to my little sister, basically telling her not to go and have sex too soon and to stay away from the big, bad boys, because, you know, they only want to take advantage of you and you should be a lot wiser and, you know, it’s only gonna get you down.
I wanted to empower that message and make it really, really simple, and of course play with it and make it dirty by using he euphemisms, and I kind of did that by making it almost like a nursery rhyme.
It’s just kind of gone down so well live. I never would’ve thought that I would’ve been closing a gig with the lyrics “Sucking too hard on your lollipop. Hey love’s gonna get you down.” I mean, it’s ridiculous.
I worked on the artwork with my sister. She goes by the pen name Da Wac. I started working on the visual aspect of the record about a year before I actually made it. I hadn’t chosen a producer yet and I was walking into the record company and going “Look, this is what the album’s gonna look like and I’ve come up with cartoon characters that are based on my songs”, like Billy Brown is a little cartoon character and Lollipop Girl’s based on ‘Lollipop’. I’m fascinating with the way you can deal with subjects in cartoons.
The characters can deal with pretty much anything and get away with it because they simplify things. They make them funny and they make them accessible. I think that pop songs have a similar effect and can be used for the same reasons.
BIG GIRL (YOU ARE BEAUTIFUL)
I wrote ‘Big Girl’ at 2.30 in the morning and I wrote it in 15 minutes. I couldn’t sleep so I turned on Victoria Wood’s documentary about fat people in the United States, and she went to this place called the Butterfly Lounge, which is a real bar in Costa Mesa, just outside of Los Angeles and it’s the first size acceptance nightclub ever in the world, and I just saw the images on the screen. I muted the sound and I wrote the song ‘cos I felt like they needed an anthem and I really felt that I was the person had to do it.
GRACE KELLY
‘Grace Kelly’ - I wrote it a couple of years ago as a little ‘screw you’ song to the people that I was working with – this music company in London. They wanted me to write songs just like everybody else, so I was furious. I went home and I wrote ‘Grace Kelly’, as you know, as a rant against them, but about 2 years later to have it do so well and to have it released as my first single, we all know who’s laughing now. (smiles, raises eyebrow)
My album has a kind of coming-of-age to it. I deal with the law of transitions - transition stories in a way on the record, except I connect – hype them up to a level where they’re almost unreal, and THAT is the cartoon quality which I refer to in the title of the album Life In Cartoon Motion.
What’s in the future for me? I’ve absolutely no idea. I really wanna be in this for the long term. I think there’s so many fine musical things that you can do when you have the right support behind you and I hope that I can keep getting that support to make records with the same amount of freedom that I got to make this one with.
END.
MIKA - Life in Cartoon Motion
Rating - 4
SO Mika, how does it feel to be No1 with Grace Kelly?
“Slightly surreal!”
How has your life changed?
“It’s all gone Willy Wonka!”
How would you sum up your sound and style?
“Psychobabble, schizophrenic, hyper-pop!”
To say that Mika is excited about the success of his all-conquering new single is putting it mildy.
But, as SFTW discovered this week, the tousle-haired dandy has also got his feet firmly on the ground.
“I would be lying if I didn’t say it feels equally scary and amazing,” he says. “Although it looks like things have happened quite quickly, they’ve been in the works a long time.
“I’ve got a lot of music to deliver over the coming months and that’s what I am looking forward to. Playing the album live through the rest of the year hopefully means there’ll be a few more people along for the ride.”
“It was weird when I found out I was No 1. It was like an unreal dream.”
Grace Kelly is an insanely infectious song that fits into a grand glam-pop tradition, a little bit Freddie (Mercury), a little bit Scissors, a little bit Elton.
Mika ... life has gone 'Willy Wonka'
“It’s funny because it’s a song I wrote on my piano at home in about 15 minutes and its still so weird and exciting to hear it on the radio let alone having other people buy it! It’s all got quite silly so I’m just going with it and having fun.”
Ultimately, the song the work of a singular, refreshing new talent, justifying “saviour of pop” claims. Furthermore, his debut album Life In Cartoon Motion (out Monday) is loaded with future hits.
There’s been much talk of the 23-year-old’s upbringing, first in Lebanon, then Paris, then London, but SFTW set out to get to the heart of his music.
What, I wondered, did he make of the comparisons with those greats of popular music?
“Actually, Harry Nilsson is my musical hero. I’m completely obsessed with his early work. Its often overlooked but its absolutely amazing, whimsical, funny, dark, childish yet fully grown up. He’s definitely an inspiration.”
As for being mentioned in the same breath as icons like Mercury, he says: “When you come from nowhere, people have to compare you to something and I’m just glad I’m being compared to people I really like.
“I aspire to the musicianship of a band like Queen, to be compared to Freddie Mercury in any way is a huge compliment. I’ve seen some similarities but I think its still early to make definitive comparisons.”
It all seems light years from the day Mika was rejected by Simon Cowell who even told him to stop writing. He has few regrets though:
“You really have to give him proper respect for what he’s been able to achieve. He’s a pop marketing genius.
“But would he have been the right person to make the record with me? Absolutely not! And I’m thankful I never had the opportunity.”
Another key aspect of the Mika package is the stunning visuals on his singles and album and on the official website.
Album ... Life in Cartoon Motion
He says: “I developed it very early on with my sister, pen name DaWack. I was inspired by artists who create their own visual world like Bowie and Prince. Back then album artwork was so important.
“These days you pick out albums and you can tell the artwork was designed to a formula — nothing to do with the musicians, just a means of packaging.
“I didn’t want it to be about packaging. I wanted it to be very much part of a whole visual world completely linked to the music.”
So was it Mika’s mission to shake the pop world up a bit? “My only mission is to have the freedom to make the records – I have no mission in terms of what other people are doing.
"The only thing I didn’t want to be when I started was another singer-songwriter looking at his shoes making nice music for dinner parties.”
Here, in his words, Mika guides us through the ten tracks of Life In Cartoon Motion.
Grace Kelly
I wrote this song as a little sticky to the music industry a couple of years back.
I was working with a big music company in London that wanted to mould me into what they felt would turn me into a commercial success, which was Craig David at the time.
They told me I needed to make a record more like what everyone expected pop records to be — and be like Craig David.
I knew that would lead to complete disaster. So I came back home and I wrote Grace Kelly that night. From that point on, I made a decision to write in the way I wanted to and not how someone else told me to.
Lollipop
This was a message to my little sister, telling her not to have sex too soon — because it would mean something very different to guys than it would to her — and so be very careful.
But I had a lot of fun getting my message across in the melody and lyric!
The little girl is my cousin, one of the most hilarious girls I have ever met. So when the opportunity came up to use a child’s voice in Lollipop she was the only person I had in mind.
I put her up in a snazzy Hollywood hotel and she was completely spoilt for about four days, like a true star.
Grace Kelly ... written in 15 minutes
My Interpretation
This is a break-up song. It’s hard to write this sort of song. They often sound quite fake or trite so I guess I’ve Mika’ed it up so it still sounds like a good song with a darker lyric.
Love Today
I was really happy when I wrote this and when I’m in that kind of mood I always hope everyone else feels the same way.
Everybody is looking for the same thing — to love someone and be loved back. Or just to get laid. It all depends on how you look for it.
Love Today captures that, the euphoric feeling you get when those things go right.
Relax (Take it Easy)
I always wanted to write a dance song that wasn’t a really full dance track, that felt organic. So when I came into producing Relax I made sure that most of the sounds we used were actually made by real instruments.
We used some great session musicians who had worked with Quincy Jones and Michael Jackson.
And we picked up the strangest pedal combinations to get all these weird sounds.
It’s really effective . . . you can’t tell if it’s a full dance track or really laid-back. It feels a bit weird electronically.
The organic-ness gives a more classic field to it. So it was one of the harder tracks for me to produce, but also the most rewarding.
Any Other World
There is a little spoken introduction that many people may miss.
It’s a family friend of mine who lost her eye during the war in Lebanon and I realised in everyone’s life their comes one point — or several points — where something happens and you have to completely change the way you have lived your life because of one event.
And it really makes you readjust and rethink and rejudge parts of your life all over again.
That happens to some people in a dramatic way like Rafa who lost both her eye and her husband within six months. Or it can be in a much quieter way like when you are 22-years-old and you finally leave university after being in education all your life or when you lose your job.
Singer ... obsessed with Harry Nilsson
I wanted to put that in the song, because when you’re 68 or 14, it’s still the same feeling and it’s still just as hard.
I wanted to try to capture that quite difficult period that people have to go through at least once in their life.
Billy Brown
I just thought it was a brilliant story to put into a pop song — the idea of a man leaving his wife for another man. I really don’t know why it hasn’t been done before.
When you’re writing songs, you always want to play with intrigue and you always want to pull certain strings. The point of writing pop music is that, in a way, you can write about anything.
And it’s amazing how many younger listeners really love it and really identify with this little character Billy Brown, this cartoon character.
A few of my cousins are all around 12 to 15 years old. This is their favourite song. They find it funny and sweet.
Big Girl (You Are Beautiful)
I was flying to Los Angeles and I can never sleep because I hate flying so much.
So I was watching trashy television, it was two o’clock in the morning, a Victoria Wood documentary on Channel 4.
It was about fat people in the United States and she visited a club called the The Butterfly Lounge, which was the first place of its kind, a club for larger women to hang out in.
Skinny women were not being allowed in. The women were amazing and I absolutely felt as if I had to write about them.
I muted the television and wrote it straight away.
I never expected it on the album, but a few weeks later we recorded it and it’s now there.
So it is one of my favourite tracks and brilliant to play live. Everyone sings along!
Stuck in the Middle
(Mika wanted the story of this song kept a secret but here is SFTW’s view).
With its honky-tonk piano and bouncy tune, perhaps the nearest song on the album to the work of Mika’s hero Harry Nilsson.
Clearly the lyrics are very personal to the singer, stuck in the middle of something turbulent but, for the listener, open to interpretation.
Happy Ending
It’s about a few things. In a way, it’s a kind of sad break-up song like My Interpretation.
But, at the same time, it’s about a lot of other things.
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Mika On 'We Are Golden' and 'The Boy Who Knew Too Much':
"(We Are Golden) is such a good starting point for the story I'm telling on the record. It's about my feelings I had when I was a teenager, and no matter how bad anything got, I always turned towards music to make myself feel like I was worth something. My second album is about feeling comfortable with the fact that I write my kind of pop music, and not apologising about anything, and in the process enabling me to drop so many of the complexes I've had over the past few years, if I'm dancing around in a bedroom on my own for my music video, it's for a reason, especially if I'm in my underwear, it's for a reason, it's a statement on my part saying, "you know what? This is how I got here, and this is how I'm gonna celebrate the fact that I am here, and keep doing what I wanna do, for the reasons that I started doing them in the first place."
Mika on "Toy Boy":
'I read this interview with Paul McCartney once and he said how he always likes to combine dark lyrics with happy sounding music and he called it empowerment, and I clung to that theory and one of the people I'm really influenced by, Harry Nilsson, in a way to me is the ultimate master of doing that, very dark twisted lyrics, but with the most embrasive, almost nursery rhyme like meloldies, and it really hits you harder, it exaggerates everything really. I guess I like to combine quite dark or bitter sounding lyrics, lyrics that are quite tied down to realistic situations, but then combine it with really happy sounding music, really joyful sounding pop music, and it's that combination that I think is becoming a bit of my signature in songs.'
Source: The album's 'Making Of' interview.
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RELAX
"The music sounds joyous and escapist, but Mika aims for depth in the lyrics. Relax (Take It Easy) is a love story set in the aftermath of the July 7 terror attacks"
Link to article in The Sunday Herald (Scotland), Feb 3, 2007 :
Source : http://www.heraldscotland.com/bohemi...psody-1.836235
Köszi!
Szépen összegyűjtötted!
Átrágom magam rajta mindjárt.
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Egyszer olvastam vagy hallottam vhol,hogy M tud főzni?
Vajon tényleg tud...?
Az egyik vidiben láttam, hogy melegít magának valami kaját, aztán lehet, hogy ő főzte, nem tudom.
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October 1st, isn't it..
Yes.
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One thing else,I know that they know each other but do you think,she was actually his girfriend?
I don't think. He's not Katy's type.
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Roxy and Marlasinger thank you for the information!
I can't help thinking that if she uses the word gay as something negative because she had a hard time with a boy it's really bad. I don't like it!
Maybe she is just thoughtless?
You' re welcome!
I think she want just to provoke with her songs. She dedicated this song to Tokio Hotel last time on her concert. Sometimes she want attention.
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Yeah,I agree.Mikas way is better,but I like her too...
Me too. I hope I can go to her concert next month.
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There is a short article about this:
Katy Perry Dismisses 'Ur So Gay' Criticism
Pop sensation Katy Perry has dismissed criticism from gay rights campaigners objecting to the lyrics of her song Ur So Gay, insisting it is just a playful take on the word.
The I Kissed A Girl hitmaker has come under fire from members of the gay community for the track, which features on her debut album One of the Boys.
On the song, she sings, "You're so gay and you don't even like boys..." Perry's tune has infuriated outspoken activist Peter Tatchell, who claimed her lyrics "can be read as implicitly demeaning gay people. I am sure Katy would get a critical reception if she expressed comparable sentiments in a song called 'UR so black, Jewish or disabled'."
But the pop star is unfazed by the comments.
She says, "The fact of the matter is that we live in a very metrosexual world. You know, a girl might walk into a bar, meet a boy, and discover he's more manicured than she is. And they can't figure it out. Is he wearing foundation and a bit of bronzer? But he's buying me drinks at the same time! "I'm not saying you're so gay, you're so lame. I'm saying, you're so gay, but I don't understand it because you don't like boys!"
Source: http://www.starpulse.com/news/index.php/2008/09/02/katy_perry_dismisses_ur_so_gay_criticism
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Didn't he once wack himself in the face with the jacket he was throwing around like a hotshot?
And what about getting the words wrong to "Hips don't lie" and walking around the stage going "Dermit O'Leery this is ALL YOUR F*CKING FAULT!"
:roftl: That's hilarious! Maybe someone has a link where I can watch it...
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http://perezhilton.com/?p=2664
And here at the end, you see him lying on the big girl leg, and all of a sudden it got deflated and oops, mika landed on his bum
Thank you for the links! He's so cute when he's clumsy.
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Where do you want us to start?!:roftl::biggrin2:
Okay... When he's falling over the stage or when he's slipping...
And I saw somewhere a vid about "the drum accident", but I don't find on youtube...
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I'm looking for performances/videos where Mika is a little bit clumsy...
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és meg is találtam a pizzasütős, operaéneklős vidit:
Tök ari, csak még nem néztem végig az egészet, úgy látom, legalább 8 rész.
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Milánóban volt, azt hiszem, és pizzát sütött
Több részes dokumentum műsor az olasz koncertről
Úristen, ez a pizzasütés ismerős. Sztem látta erről egy screencapet itt valahol.
Ha már olaszok, nagyon tetszett az a műsor, aminek soha nem tudom megjegyezni a nevét (pedig egyik kedvencem is volt már ott), és mindenfélét marhultak: ráadtak valami jelérzékelőt, és meg kellett érintenie az embereket, így mindig más zene jött. És amikor héliumos lufit szívattak vele.
:aah:Ezeken jót tudok vidulni.
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Olaszországban énekelte, egy video interjú alatt, ha jól emlékszem, 2008-ban.
Majd megkeresem.
(sosincs semmire sem időm , de felírom, hogy ne felejtsem el.)
Köszi!
Majd én is keresgélek.
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Egy-két évig a londoni zeneakadémián tanult bariton énekesnek, és amúgy poénból egyszer éneket egy részletet a Rigolettóból is (Az asszony ingatag)
, tehát Verdi is jöhet neki. ÁÁ! Az asszony ingatagot énekelte??? Ez kééész.
:roftl:Ezt koncin énekelte, vagy esetleg van róla felvétel? Úgy meghallgatnám.
Akkor pont belenyúltam, ezek szerint Verdi sem akadály Neki. Nagyon helyes.
A King’s Singers koncert tavaly novemberben egy évente a fogyatékkal élők megsegítésére szervezett rendezvény része volt, 2-3 előzenekarral. Azt hiszem, minding ebben a templomban rendezik meg, Little Noise néven. Itt egyébként rendszeresen tartanak koncerteket, éppúgy mint abban a berlini templomban, ahol az akusztikus turnét kezdte tavaly nyáron.
Íme a beszámolóm a Little Noise-ról annak, akit érdekel:
http://www.mikafanclub.com/forums/showthread.php?p=2652450#post2652450
Köszi a beszámolót, mindjárt elolvasom!
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Háááhááá öreg nénik meg akarják tömni szegénykét.Vérbeli nagymamák!
Sok nagyija lehet. Ha azok egyszer rászabadulnak. Lesz egy BIG MIKA.
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Másoknak is Papageno jutott eszébe erről...
Az instrumentális témát biztos a Toy Boy -ban hallottad. Mikor először játszotta közönségnek (Los Angelesben, tavaly árpilisban, megjelenés előtt), egyfolytában az járt az eszemben, hogy honnan mire emlékeztet engem ez a musicbox szerű hangzás, pedig akkor még teljesen más verziót játszott - ez volt szerintem a legjobb előadása a dalnak:
Köszi a linket! Van mit pótolnom. Igen, talán a Toy Boy végén volt.... meg is lepődtem, hogy nocsak, visszatért a Varázsfuvola.
Nem tudom, inspirálta-e Őt esetleg pl. a karakterek kitalálásában, vagy azoknak vizuális megjelenítésében, de a Dr. John kabátja az nagyon Papageno.
Bár ha jól olvastam, az valami csirke (akar lenni)? Hát végül is, madár-madár.
Erre mikor az európai akusztikus turnét kezdte Berlinben, már konkrétan a Varázsfuvolából a Der Vogelfänger zenei elemével fejezte be a dalt.Erről beszéltem is vele egy kicsit a koncert után:teehee:
Mármint arról, miért ez a zenei elem került a dal végére?
Bocsánat, ha nem publikus a dolog, nyugodtan szólj, nem akarok tolakodó lenni, csak érdekel, hogy mennyire tudatosak Nála ezek a dolgok.
Nagyon látom a "nyomait" a munkáján az európai művészeteknek. Mind zenei megvalósításban, mind látványvilágában.
Mert az elég nyilvánvaló, hogy a Varázsfuvola tök passzol Hozzá, olyan kis mesés meg minden, tehát nem véletlenül nem Verdit "idéz" a koncertjein, csak pl. hogy találkozik ezekkel az operákkal? Sokat hallgat operát vagy sokat jár Operába?
Épp a minap néztem youtube-on, énekelt egy műsorban egy operaénekesnővel. Talán a Raint. Nagyon tetszett!
Rigában kb 8000 ember volt az arénában, és remekül szólt, jól reagáált a közönség. És persze Bécsben is eljátszotta, ott talán még jobb volt.És íme a Kings Singers kíséretével, tavaly novemberből:blush-anim-cl:
(a koncert egy templomban volt, Londonban. )
Ez varázslatosan szép! Eleve az atmoszféra tök különleges lehetett. Na ez is honnan jött? Templomban, koncert?
Well, I know, he's not Mika, but I was happy to hear the song...
TV-n keresztül is az, nemhogy élőben. Az áldozatokról ne is beszéljünk...
Simán belehalhatott volna. Remélem, jól van. De el tudom képzelni, hogy a család is min megy most keresztül.
:roftl:
Szépen összegyűjtötted!
Calling All Hungarians
in MFC International
Posted
Igen, elvileg ebben a két időpontban lesz Mika a port.hu szerint. (de volt már úgy, hogy a port.hu tévedett, nem árt figyelgetni az MTV-t naponta, aki teheti.) Ezek az 1 órás kis összeállítások (négyféle van) minden nap mennek egyébként egészen vasárnapig.
Kicsit nehezen értették meg odaát, hogy csak egy műsort konferál, nem a showt.
Nemhiába, ez van, ha elhanyagolom az angolt.
Remélem, valaki majd feltölti. Én max. videóra tudom venni, de digitalizálni sem tudok, plusz éppen anyáméknál vagyok, szóval kicsit bonyolult.
De amúgy tök ari volt... sokat mosolygott, azt néztem, még képernyőn keresztül is milyen vékonyka. A konferáló szövege is csak ilyen sablonszöveg, de jól adja elő.