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Mika: The Boy Who Knew Too Much - The Observer Review


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http://www.guardian.co.uk/music/2009/sep/06/mika-boy-knew-too-much

 

Mika: The Boy Who Knew Too Much(Island)

 

(ETA: 3 out of 5 Stars)

 

Peter Robinson

The Observer, Sunday 6 September 2009

Article history

 

Mika sold 5 million copies of his debut album Life in Cartoon Motion, a collection of stylishly infantile, jazz hands-friendly pop tunes which established the charismatic 23-year-old as a very carefully stage managed Serious New Talent. The timing was perfect: this eager-to-please performer appeared at the precise moment Robbie Williams released Rudebox. Now Mika is a little older, childhood is left behind and The Boy Who Knew Too Much, he claims, is his "adolescent" album. He says it captures his life at the age of 18 and 19.

 

If the age at which many go to university - or in Mika's case the Royal College of Music - is the point when the follies of teenage life are re-ordered into some semblance of adult life, The Boy Who Knew Too Much does indeed build on and perfect the persona of its predecessor. While not very different at all, the tunes are marginally better, the production slightly bigger. The thunderous Rain is this album's Relax Take it Easy, for example, while Toy Boy is a grown-up nursery rhyme akin to Lollipop on the first album. Happily, Mika's penchant for the moronic is usually played down in favour of a confident delivery, meaning that the dressing-up box is left to one side in favour of some new, more subdued threads.

 

For album three, which will presumably cover the post-graduation years and Mika's blossoming pop career, expect a fully-formed personality to complement the hooks and snappy, buoyant production. For the time being, The Boy Who Knew Too Much fails to truly connect because even on poignant songs such as Touches You and By The Time it's hard to pinpoint Mika's real identity. His serious moments are as hard to comprehend as a Chuckle Brother tackling a eulogy: you know he must feel emotion because he is a human being, but you are constantly expecting the arrival, stage right, of a pantomime cow.

Edited by dcdeb
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I'm sorry.... WHAT?

 

What on earth did he mean? Is Mika supposed to be wearing his heart on his sleeve and be all earnest and serious for this guy to get it?

 

It's a pop record for crying out loud. I'm really not sure what he was expecting:blink:

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http://www.guardian.co.uk/music/2009/sep/06/mika-boy-knew-too-much

 

Mika: The Boy Who Knew Too Much(Island)

 

(ETA: 3 out of 5 Stars)

 

Peter Robinson

The Observer, Sunday 6 September 2009

Article history

 

Mika sold 5 million copies of his debut album Life in Cartoon Motion, a collection of stylishly infantile, jazz hands-friendly pop tunes which established the charismatic 23-year-old as a very carefully stage managed Serious New Talent. The timing was perfect: this eager-to-please performer appeared at the precise moment Robbie Williams released Rudebox. Now Mika is a little older, childhood is left behind and The Boy Who Knew Too Much, he claims, is his "adolescent" album. He says it captures his life at the age of 18 and 19.

 

If the age at which many go to university - or in Mika's case the Royal College of Music - is the point when the follies of teenage life are re-ordered into some semblance of adult life, The Boy Who Knew Too Much does indeed build on and perfect the persona of its predecessor. While not very different at all, the tunes are marginally better, the production slightly bigger. The thunderous Rain is this album's Relax Take it Easy, for example, while Toy Boy is a grown-up nursery rhyme akin to Lollipop on the first album. Happily, Mika's penchant for the moronic is usually played down in favour of a confident delivery, meaning that the dressing-up box is left to one side in favour of some new, more subdued threads.

 

For album three, which will presumably cover the post-graduation years and Mika's blossoming pop career, expect a fully-formed personality to complement the hooks and snappy, buoyant production. For the time being, The Boy Who Knew Too Much fails to truly connect because even on poignant songs such as Touches You and By The Time it's hard to pinpoint Mika's real identity. His serious moments are as hard to comprehend as a Chuckle Brother tackling a eulogy: you know he must feel emotion because he is a human being, but you are constantly expecting the arrival, stage right, of a pantomime cow.

 

about the bold part - i never thought about that. I guess that's actually quite a clever way of putting it.

 

Why give the album 3 out of stars because you don't know Mika's identity? It's not about knowing his identity it's about the feelings during teenage life! Blimey.

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about the bold part - i never thought about that. I guess that's actually quite a clever way of putting it.

 

Why give the album 3 out of stars because you don't know Mika's identity? It's not about knowing his identity it's about the feelings during teenage life! Blimey.

maybe the journalist doesn't relate to these songs at all
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