Lucrezia

In Italy Mumu is a rapper cow created for a TV commercial of a pudding for children Question for USA speakers: In American, does Mumu means a camisole of Hawaiian style or I dreamed about it ?

If someone is interested, you can read here the column http://nypost.com/2016/04/14/the-craziest-furniture-dubai-has-ever-seen/

Thank always to Grazia, you can find here the videos of Mika's gig in Bourges: http://vk.com/video251318454_456239019 http://vk.com/video251318454_456239020 (wait please until they're uploading)

Don't know if it's the right place to post this, but Mika wrote on his account Sine Weibo about his appearence on Karen Mok gig, the 1st May in Milan and their next collaboration: http://photo.weibo.com/3886575322/talbum/detail/photo_id/3963138083103716 Here his profile on Weibo http://weibo.com/mikaofficial?is_hot=1

Mika will be again on Access Illimite next Sunday for a special appearance. https://twitter.com/accesillimite/status/719352200590454788 https://twitter.com/JPhilippeDion/status/719348238587936769

I waited for that moment and finally it came!! YaY!! :yay: Can't wait to buy it!

Loved the way he told it: it was as a cominc story and I laughed so hard: poor grandma! Sincerely I would never and I repet never want an april fool from Mika since he's so mean (in a good way of course) xD

Here's the column on Corriere Zia Giovi, if you don't mind I can translate it now Translation Zaha Hadid, a precious arab rose has broken up A rose has broken up, a precious Arabian rose that has known the full bloom until the end. Her scent was intense and her thorns had made bleed those careless hands that had attempted to prune her prematurely. She had withstood many storms, often facing them without shelter. She was never shy and her unusual beauty was something brazen and audacious. She was a rose that stood solitary, and although her bearing sometimes seemed to dodge the presence of the others, and even her environment, she has never succumbed: a beauty so incisive as her, requires time to be appreciated. And she knew it. For years I have admired the work of Zaha from far away and I was seduced by the reports of her life and her personality almost legendary. She was a brave woman, shining, Arabic, intellectual, talented and most fascinating of many movie stars. We met by chance in Miami, guests of a friend. I felt nervous, caught by surprise, but we talked all through dinner. From that day she has become a friend. Zaha hated talking on the phone, she preferred to send messages, and continued to do so regularly, no matter where in the world we were both. The woman that I learned to know was loving and fun. She loved to chat, exchange gossip, go out to dinner with friends and she appreciated the attention. She loved to joke tremendously and if sometimes she ended to inspire reverential fear, in her admirers as in strangers, soon after she turned her head and smiled with a wink. We talked about art, architecture, fashion and television. She liked to comment on the tv shows and sometimes teased me for my own appearances. To some our friendship might have seemed strange, but we didn't mind. We had in common the Middle East and London, but also something more. Our friendship was simple and surprisingly warm. In her, I saw my mother and also saw an untamed life unafraid of challenges. Even though our conversations were still light, full of gossip and complicity, in my eyes she has remained an icon. In Zaha I admired the fighting spirit, but the normality of our relationship was a privilege for me. Yesterday I heard about her death, and I felt a huge sadness. I will miss her.

There's an interview on the Reforma newspaper but I don't know how to access to it :/ https://twitter.com/juagarci/status/715611022371893248 Reforma site http://busquedas.gruporeforma.com/reforma/BusquedasComs.aspx

New pic of the same photoshoot https://www.instagram.com/p/BDkHRnIw_hX/

Thank you for your advices! I'll be carefull

Yes, I can from Italy! The problem is when I have to watch some videos from the BBC site cause they are geolocalized

They added a little description: i'm sincerely more curious now to listen the new covers! Mika, the multi-million selling and Brit Award winning singer-songwriter plays some of the greatest songs of all time. He has tracks from Stevie Wonder, Carly Simon, David Bowie and Diana Ross. Mika will look at what makes these songs so special, whether it's the writer, producer or perfomer. He'll also share why they're his favourite songs and what they mean to him. Plus Mika also sits down at Radio 2's Elton John piano to perform special live tracks from Dusty Springfield and Paul Simon.

Great news! Finally our prayers have been heard Can't wait!

Here's the translation of the column.. if there are mistakes please let me know! A Love letter about adolescence in order not to choose to be invisible I talk about my dialogue with Ivan Cotroneo, the film maker of Un bacio, and the choice to be there with a song. It is a film in which teenagers can recognize themselves without feeling treated with paternalism, and with which adults can empathize, thinking back to how they were at their age. In July 2008, Ivan Cotroneo was drinking his morning coffee at a small bar in Provincetown, Massachusetts. The writer, now film maker, had just finished translating Where the land ends by Michael Cunningham, a novel that celebrates one of the oldest and liberals cities of America . After working there for many months, he had wanted to go and see Cunningham, and to visit the city in person. It was that morning, over coffee, that Cotroneo read a Newsweek article about the murder of Lawrence King, a fifteen year old gay boy, a student of a high school in Oxnard, California. One of his schoolmate shot him in class, Brandon McInerney, of which King had fallen in love. For several weeks, McInerney was teased in public by King. "I was shocked by the violence of this murder among teenagers. I was sitting in a cafe in a city that represents America's future, and I was reading a story that seemed to come from a distant past. " More than a year later, Cotroneo was in the midst of a crowd of several thousands of protesters in Rome, in front of the parliament. They were waiting that the government would vote a draft for an anti-discrimination law, which would have made illegal the homophobia. The draft law was rejected and the crowd was angry. "From now on, it will be their fault. Whenever we will be the subject of cruelty, it will be their fault, "he shouted one protester of just 19 years beside Cotroneo. "I came home with the feeling to do something. I had to somehow help to change things, " says Cotroneo, telling me on the phone the moment he decided to write a fictional adaptation, set in Italy, of the murder of Larry King. "I wanted to show how discrimination can be destructive, even in people so young." The book, Un Bacio, tells the story of two high school students. A gay boy adopted, Lorenzo, who befriends and falls in love for Antonio, a heterosexual classmate and basketball star, saddened by the death of his older brother. The story ends like the one of Larry King, with Anthony desperate that shoots to Lorenzo in the classroom. During the promotion of the book, Cotroneo toured for high schools and listened to students' reactions that had read it. Even if he was received with enthusiasm and empathy, Cotroneo soon saw that he had made a serious mistake. "I met so many teenagers who felt frustrated and sometimes angry for not being included in the story. They kept telling me that they were not immune to these problems - explains Cotroneo - I understand that discriminations are linked together. " This awareness and the words of the girls who had met accompanied him for years. When he decided to make the film, he thought to correct the mistake and so he inserted the most enigmatic character in the story, a teenage girl called Blue. Blue is an outsider, that hides her previous experiences of abuse, fearing that their classmates and family members can consider her dirty or contaminated. It is an aspect that it'is part of every teenager girl and has an important role in the film. Antonio, Lorenzo and Blue form a triangle of friendship and love. In one way or another all three are discriminated and isolated. They are real characters, funny and obnoxious at the same time. Blue is funny and intelligent, but can be cruel and cold. Antonio is determined and thoughtful, but he is prone to fits of rage and cruelty access. Lorenzo is an explosion of colors and honesty, but easily becomes offensive and obnoxious. After the death of Lorenzo, they are all three victims and all three have the life ruined. To push them to the crime is not what they are or what they do, but the environment in which they live and the isolation caused of the discrimination which they must undergo. It is the story of how a seemingly irrelevant discrimination can lead to an unexpected tragedy. It is a brave and important film, not for the ending sensation, which is indeed the easy part. It's brave for a human way and tender with which tells the story. Because it gives voice and illuminates the darkest and most difficult part of growing up, and it does so with respect. It is more than just a warning, it is a painful love letter to adolescence. Cotroneo made a film in which teenagers can recognize themselves without feeling treated with paternalism, and with which adults can empathize, thinking about as they were at their age. The complex trio shows the futility of the labels and the difficulties of adolescence, emphasizing once again that it is impossible to generalize when talking about sexuality and love. I composed the music for the film and I made a music video with Ivan Cotroneo, after seeing a preview and I met six months ago the writer at his home in Rome. I found that the film was shot with love and had an original tone, deeply "pop", but serious and funny at the same time. In person, Cotroneo is a private man. An observer of the surrounding world and a tireless worker. He writes every day, and this project is the result of an eight-year journey. After watching the film, we talked about it and he has changed, becoming lively and talkative. He talked for hours without stopping until three-thirty in the morning, while his producer was trying not to show she was falling asleep on the couch. I realized that this film touched him personally. His characters are exuberant, as he is usually discreet and prudent. I suspect it stems from his teenage years, he has learned to become invisible for fear of being the object of cruelty or discrimination. His characters, full of life and chaotic, have his revenge, and he does not seem to have ended. "Do you think this film can help to change things?" I ask the phone. "I do not know, and maybe I'll never know." In any case, the film and its characters have already changed him.

I'm writing the translation of the column! I'll post it soon

Tele 7 jours!

Scans of the entire column on Corriere

I hope for a new music program on BBC like the one he made!

Done! Hope it'll help you

Uploaded even the link of Google Drive

It's still in progress... i think that during the night it'll be ready

Yes the whole gig!! Enjoy it Unfortunately I won't write a report 'cause i didn't go to the gig

Here you can find the full concert of Bari: http://vk.com/video251318454_456239018 While we wait for VK, here's the Gdrive where you can watch the gig: https://drive.google.com/file/d/0BxtyZuo401xaSFBla2RsNEEzOHM/view?usp=sharing Thanks to Grazia of course Allegra, I'm happy that you're still our precious italian mascotte Bye, your digital Rapunzel

I'm sorry that you didn't find the ticket for Bari I hope that you won't sell your tickets for summer gigs 'cause if you aren't there well it won't be anymore an italian gig without you: we need our mascot otherwise I think that the Sir could even not sing that night! Fingers crossed for you and I really hope that you'll find a way to collect a tix for Bari!