You were pleased to be involved...
"£45 to me was a dream sum. I had no idea you were supposed to add a couple of zeroes to that number. For backbreaking soulless session numbers. But I was cutting my teeth, getting time in the studio, that's all I really wanted."
Justin Hawkins from the Darkness made a tidy sum from ads.
"Yeah, but I never wrote them. I was a kid doing work on them, but he actually wrote the IKEA jingle. He funded that first album right? £100,000? Pretty good."
Did you like them at all? There's a falsetto thing going on in your music and theirs...
"I never really connected with that album ['Permission to Land'], I have to be honest. I look for different things in albums. It was hooky and entertaining."
I take it you're a Queen fan.
"Not as enormous a fan as a lot of people would assume."
You can hear Queen in 'Grace Kelly'.
"Freddie is there, but 'Grace Kelly' came from the idea that if I were going to write a little stick you insult song to the music industry I would do it with the most obvious melody. So I based it on this kind of classical opera melody - a classical choral opera chorus section from an opera. That's where the theatricality comes in, that's why it's reminiscent of Queen. But I name checked Freddie, so..."
You say you won't talk about sexuality or sexual orientation, but when writing a song like 'Billy Brown' [about a married man falling in love with another man], shouldn't you justify yourself in some way?
"No. I don't see how the two come together. Just because you write about things doesn't necessarily mean you have to immediately stick them into your own life. I mean I write a lot about a lot of things."
I noticed recently Kele from Bloc Party had started being a little more open about his sexuality because he was exploring it in song...
"You know, talk to me in a year. I've come across this before, people say 'why do you come up with little characters for songs? Why did you write 'Lollipop' if it wasn't about yourself? Why do you write about Big Girls?' all this stuff. The one thing about songwriting, especially in the 60s and 70s was that people used to tell stories and paint little pictures. You know, the Beatles flipped from story to story, they cut out newspaper clippings and wrote stories about them, that's how they got a lot of their inspiration. And I don't see nowadays why you can't do that? You can't get away with writing little movies.
"I understand that in an era of tabloid culture everyone feels a subject matter has to be justified by the songwriter or the singer's motives or personal experience. That's not necessarily as old as the caves. My sexuality has nothing to with it, it's a rule of thumb for songwriting and it means you don't get stale or stagnant as quickly.
"The right I do want to defend is my right to write about absolutely anything."
...and the link is - http://www.playlouder.co.uk/feature/+mika/
Sorry if this is a duplicate